• Calendar page for October, with a miniature of a John the Baptist, with sores on his skin., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

with a miniature of a John the Baptist, with sores on his skin. 19th-century documents relating to the manuscript are kept as Yates Thompson 52, ff. 9-29. 12 calendar roundels in the lower margin, in colours and gold (ff. 1-12).

• Text page with heraldry from a heraldic treatise by Adam Loutfut., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut. Section on the leopard and the hart., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text pages with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Detail of the miniature of the Martyrdom of Blaise., Cuttings from a Missal of Clement VII

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue

• Montage composed of a miniature of the Assumption of the Virgin above the inscription 'Assumpta Est Maria' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and a yoke with motto 'Suave', two prophets in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici device of the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue

• Montage composed of a miniature of the Martyrdom of Blaise surmounted by two Medici devices of a yoke with motto 'Suave' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, and two sibyls in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici 'Candor Illesus' device, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue

• Historiated full-page border with the text excised, of the arms (flanked by two hybrid creatures) of Cardinal Giulio de' Medici, the Medici device of a diamond ring with three feathers and motto 'Semper', a half-length figure of Peter in a roundel, a cameo of the Flagellation of Christ, flowers, strawberries, birds, pearls, snail shells, and medallions inscribed in capital letters 'Christus Deus Omniptens' and 'Deus in nomine tuo salvus me fac' on a gold-flecked black background. Historiated initial 'T' of the Elevation of the Host before an altar table with an image of Anthony Abbot, introducing the ~Te igitur~ of the Canon of the Mass. A cartouche inscribed 'Julius de Medicis, Cardin. Electus Sum. Pontif. (Clemens VII.) Anno Dom. MDXXIII'., Cuttings from a Missal of Cardinal Giulio de' Medici

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue

• Miniature of various locations set out in a landscape: 'La Chastel en Chaire', 'Le jardin du baume,' 'La cite de Babiloine,' and 'Les Moulins de Babiloine'., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in

• Miniature of Nectanebus receiving a letter; miniature of Nectanebus on a roof, in flight, having shaved his head., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in

• Miniature of John the Evangelist in Patmos, with a full border and a foliate initial 'S'(aint), at the beginning of the life of John., Assumption of the Virgin and saints' Lives

of John the Evangelist in Patmos, with a full border and a foliate initial 'S'(aint), at the beginning of the life of John. Miniatures were attributed to the Master of the Dresden Prayerbook (Brinkmann 1997), who also illuminated Sir John

• Decorated initials 'S'(hal) and 'S'(oules) in the fourth book of Sidrak and Bokkus, with inscriptions, possibly 'Thomas Walker Thomas Cowpland, John Bolton, Robert Spynk, Garry Jacson, James Loueden, Thomas Tomson, John Best, Richard Hilborn' in the margin below., Sidrak and Bokkus

(?) (f. 88v); 'I tell you plyn of John Hanum [. . . ] (f. 102v); 'William Wylkensone' (f. 111v); 'Thomas Cowpland, John Bolton, Robert Spynk, Garry Jacson, James Loueden, Thomas Tomson, John Best, Richard Hilborn (f. 172); Harry bramam'

• null, Commentaria in Epistolas beati Pauli

that most of John Prise's religious manuscripts came from such houses.Sir John Prise (alias Sion ap Rhys, b. 1502 or 1503, d. 1555): 'John Prise: is Owner of this booke' (f. 2); cf. N. R. Ker, 'Sir John Prise', ~The

• null, Commentaria in Epistolas beati Pauli

that most of John Prise's religious manuscripts came from such houses.Sir John Prise (alias Sion ap Rhys, b. 1502 or 1503, d. 1555): 'John Prise: is Owner of this booke' (f. 2); cf. N. R. Ker, 'Sir John Prise', ~The

• Decorated initial 'A'(s) with pen-flourishing., Poems, imperfect

their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial John Multon John Multon John Lydgate London England, S. E. (London)

• Detail of added marginal annotation (in the hand of Humfrey Wanley?)., Poems, imperfect

contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Added marginal annotation John Multon John Multon John Lydgate London England, S. E. (London)

• Excised initial with a partial foliate border, at the beginning of book 5., Siege of Troy (the Troy Book)

book 5. Includes the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and presented to him as