• Miniature of John, at the beginning of the Gospels., Book of Hours, Use of Tours

of John, at the beginning of the Gospels. Added by contemporary professional hands, suffrages including small initials in plain red and blue (ff. 117v-120v) and the prayer O intemerata (ff. 121-123v) with a puzzle initial in red and blue at

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It

• Decorated initial 'M'(ulta), and a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum. For other manuscripts owned by Morton see Arundel 435 and 454. 2 large initials in gold on blue and red grounds,

• Lower part of a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum., Libellus de Canonizatione sanctorum

full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum. For other manuscripts owned by Morton see Arundel 435 and 454. 2 large initials in gold on blue and red grounds, with

• Detail of a miniature of Paul writing an epistle, with a messenger waiting to carry it for him, and with John Colet, kneeling, with the full border including flowers, insects and a peacock, and a foliate initial 'P'(aulus) at the beginning of Romans., Pauline and Catholic Epistles in the Vulgate and Erasmian (~Novum Instrumentum~) versions

a messenger waiting to carry it for him, and with John Colet, kneeling, with the full border including flowers, insects and a peacock, and a foliate initial 'P'(aulus) at the beginning of Romans. The wider column contains the Vulgate and

• Ownership inscription by Thomas Cleobury, antepenultimate abbot of Dore, dated 1526., Miscellany, including and astrological treatise entitled 'De temporibus mundi' dated 1445 (ff. 73-79), an English chronicle in verse (ff. 79v-83), a poem on the life and passion of Jesus Christ entitled 'Meditacions on the soper' (ff. 83-102), and the fragment of a calendar, January to March (ff. 102v-104v)

decorated initial were added by a 16th-century (?) hand in pencil (f. 158).? John Hartylbury (ordained 1511), a monk at Dore Abbey: his ownership note 'Dan John Hartylbury Monke of dor<e>' (f. 160), and name (ff. 168, 168v): possibly related

• Notes added by a reader in 1512 to the margin of a page of Johann Lichtenberger, 'Prognosticatio', printed in Strasburg by Kistler after 31 December 1499., Miscellany, including and astrological treatise entitled 'De temporibus mundi' dated 1445 (ff. 73-79), an English chronicle in verse (ff. 79v-83), a poem on the life and passion of Jesus Christ entitled 'Meditacions on the soper' (ff. 83-102), and the fragment of a calendar, January to March (ff. 102v-104v)

decorated initial were added by a 16th-century (?) hand in pencil (f. 158).? John Hartylbury (ordained 1511), a monk at Dore Abbey: his ownership note 'Dan John Hartylbury Monke of dor<e>' (f. 160), and name (ff. 168, 168v): possibly related

• Map of the world., 'Imago mundi' attributed to Honorius Augustodunensis (ff. 104-117v), three theological treatises (ff. 118-119v), and excerpts from the Church Fathers (ff. 119v-121)

decorated initial were added by a 16th-century (?) hand in pencil (f. 158).? John Hartylbury (ordained 1511), a monk at Dore Abbey: his ownership note 'Dan John Hartylbury Monke of dor<e>' (f. 160), and name (ff. 168, 168v): possibly related

• Miniature of Catherine, with border, at the beginning of her suffrage., Book of Hours, Use of Sarum

her suffrage. Includes a calender (ff. 1-6v); a prayer to Jesus Christ (ff. 7-13v); suffrages to the Trinity, John the Baptist, John the Evangelist, Thomas, George, Christopher, Anne, Catherine, Barbara, Mary Magdalene, and Margaret (ff. 14-33v); the Hours of the

• Miniature of Catherine, with border, at the beginning of her suffrage., Book of Hours, Use of Sarum

her suffrage. Includes a calender (ff. 1-6v); a prayer to Jesus Christ (ff. 7-13v); suffrages to the Trinity, John the Baptist, John the Evangelist, Thomas, George, Christopher, Anne, Catherine, Barbara, Mary Magdalene, and Margaret (ff. 14-33v); the Hours of the

• Miniatures of a bust of Christ and of his hand., Book of Hours, Use of Sarum

his hand. Includes a calender (ff. 1-6v); a prayer to Jesus Christ (ff. 7-13v); suffrages to the Trinity, John the Baptist, John the Evangelist, Thomas, George, Christopher, Anne, Catherine, Barbara, Mary Magdalene, and Margaret (ff. 14-33v); the Hours of the

• Miniature of Abraham holding a soul, with a praying soul and angel and devil below., Book of Hours, Use of Sarum

devil below. Includes a calender (ff. 1-6v); a prayer to Jesus Christ (ff. 7-13v); suffrages to the Trinity, John the Baptist, John the Evangelist, Thomas, George, Christopher, Anne, Catherine, Barbara, Mary Magdalene, and Margaret (ff. 14-33v); the Hours of the

• Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and

• Page of music on the verso of the folio., Leaf from a Gradual

Page of music on the verso of the folio. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in blue with

• Puzzle initial., Leaf of a Psalter, in the Gallican version, including Psalms 26-32, imperfect, and bound with the recto as the verso

Leaf of a Psalter, in the Gallican version, including Psalms 26-32, imperfect, and bound with the recto as the verso John Bagford: inscribed, probably by Frederic Madden, that this is 'A portion of Bagford's collection F. M.' (f. [iii]).Sir Hans

• Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small

• Detail of the last 4 staves of music and an inscription., Leaf from a Gradual

Detail of the last 4 staves of music and an inscription. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in

• Miniature of the Crucifixion of Christ, with the Expulsion from Paradise, a Pieta with Instruments of the Passion, the Harrowing of Hell, with an added border of the 12 Apostles, by an English artist., Various prayers including indulgenced prayers, and Gospel Lessons

of John writing (f. 19)). 6 historiated initials in ochre with gold acanthus leaves of Christ appearing to the Mary Magdalene, the Virgin and Child in bust as the Apocalyptic Woman (f. 3v), Christ (f. 4v), the Virgin and John

• Historiated initial 'D'(ixit) of a king and fool at the beginning of Psalm 52, with a full foliate border including grotesques., Various prayers including indulgenced prayers, and Gospel Lessons

of John writing (f. 19)). 6 historiated initials in ochre with gold acanthus leaves of Christ appearing to the Mary Magdalene, the Virgin and Child in bust as the Apocalyptic Woman (f. 3v), Christ (f. 4v), the Virgin and John