• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, Matthew, the Feeding of the Five Thousand, the Last Supper, John, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, Matthew, the Feeding of the Five Thousand, the Last Supper, John, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection. Italian

• Ownership inscription by Thomas Cleobury, antepenultimate abbot of Dore, dated 1526., Miscellany, including and astrological treatise entitled 'De temporibus mundi' dated 1445 (ff. 73-79), an English chronicle in verse (ff. 79v-83), a poem on the life and passion of Jesus Christ entitled 'Meditacions on the soper' (ff. 83-102), and the fragment of a calendar, January to March (ff. 102v-104v)

decorated initial were added by a 16th-century (?) hand in pencil (f. 158).? John Hartylbury (ordained 1511), a monk at Dore Abbey: his ownership note 'Dan John Hartylbury Monke of dor<e>' (f. 160), and name (ff. 168, 168v): possibly related

• Notes added by a reader in 1512 to the margin of a page of Johann Lichtenberger, 'Prognosticatio', printed in Strasburg by Kistler after 31 December 1499., Miscellany, including and astrological treatise entitled 'De temporibus mundi' dated 1445 (ff. 73-79), an English chronicle in verse (ff. 79v-83), a poem on the life and passion of Jesus Christ entitled 'Meditacions on the soper' (ff. 83-102), and the fragment of a calendar, January to March (ff. 102v-104v)

decorated initial were added by a 16th-century (?) hand in pencil (f. 158).? John Hartylbury (ordained 1511), a monk at Dore Abbey: his ownership note 'Dan John Hartylbury Monke of dor<e>' (f. 160), and name (ff. 168, 168v): possibly related

• Map of the world., 'Imago mundi' attributed to Honorius Augustodunensis (ff. 104-117v), three theological treatises (ff. 118-119v), and excerpts from the Church Fathers (ff. 119v-121)

decorated initial were added by a 16th-century (?) hand in pencil (f. 158).? John Hartylbury (ordained 1511), a monk at Dore Abbey: his ownership note 'Dan John Hartylbury Monke of dor<e>' (f. 160), and name (ff. 168, 168v): possibly related

• Miniature of Catherine, with border, at the beginning of her suffrage., Book of Hours, Use of Sarum

her suffrage. Includes a calender (ff. 1-6v); a prayer to Jesus Christ (ff. 7-13v); suffrages to the Trinity, John the Baptist, John the Evangelist, Thomas, George, Christopher, Anne, Catherine, Barbara, Mary Magdalene, and Margaret (ff. 14-33v); the Hours of the

• Miniature of Catherine, with border, at the beginning of her suffrage., Book of Hours, Use of Sarum

her suffrage. Includes a calender (ff. 1-6v); a prayer to Jesus Christ (ff. 7-13v); suffrages to the Trinity, John the Baptist, John the Evangelist, Thomas, George, Christopher, Anne, Catherine, Barbara, Mary Magdalene, and Margaret (ff. 14-33v); the Hours of the

• Miniatures of a bust of Christ and of his hand., Book of Hours, Use of Sarum

his hand. Includes a calender (ff. 1-6v); a prayer to Jesus Christ (ff. 7-13v); suffrages to the Trinity, John the Baptist, John the Evangelist, Thomas, George, Christopher, Anne, Catherine, Barbara, Mary Magdalene, and Margaret (ff. 14-33v); the Hours of the

• Miniature of Abraham holding a soul, with a praying soul and angel and devil below., Book of Hours, Use of Sarum

devil below. Includes a calender (ff. 1-6v); a prayer to Jesus Christ (ff. 7-13v); suffrages to the Trinity, John the Baptist, John the Evangelist, Thomas, George, Christopher, Anne, Catherine, Barbara, Mary Magdalene, and Margaret (ff. 14-33v); the Hours of the

• Detail of a marginal drawing of a standing woman., Treatise on Surgery, with tables and calendar

.' (f. 271v).Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Woman John Arderne England, S. E.(?) (London?)

• Detail of a marginal drawing., Treatise on Surgery, with tables and calendar

.' (f. 271v).Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Drawing John Arderne England, S. E.(?) (London?)

• Detail of a marginal drawing of a container and bowl (?)., Treatise on Surgery, with tables and calendar

.' (f. 271v).Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Container John Arderne England, S. E.(?) (London?)

• Detail of a marginal drawing., Treatise on Surgery, with tables and calendar

.' (f. 271v).Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Detail John Arderne England, S. E.(?) (London?)

• Detail of a marginal drawing of a tonsured man., Treatise on Surgery, with tables and calendar

.' (f. 271v).Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Man John Arderne England, S. E.(?) (London?)

• Miniature of Urbs Roma, in military dress, seated upon a pile of armour, holding a broken sword and a figure of winged Victory, flanked by the letters 'S' and 'C', and enclosed within an architectural roundel and frame., Cutting possibly from the Notitia Dignitatum

19th-century hand on verso, 'J. M. W. 1856 / I. Lwe / "School of Leonardo da Vinci/ Very fine miniature"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: ink stamp on verso 'Malcolm Collection / B.M'.;

• Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants., Cuttings from a manuscript of Innocent VIII

Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants. Italian cutting.The present cutting is kept in a box with Add. 35254I-O.

• Detail of the miniature of the Martyrdom of Blaise., Cuttings from a Missal of Clement VII

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue

• Montage composed of a miniature of the Assumption of the Virgin above the inscription 'Assumpta Est Maria' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and a yoke with motto 'Suave', two prophets in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici device of the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue

• Montage composed of a miniature of the Martyrdom of Blaise surmounted by two Medici devices of a yoke with motto 'Suave' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, and two sibyls in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici 'Candor Illesus' device, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue

• Historiated full-page border with the text excised, of the arms (flanked by two hybrid creatures) of Cardinal Giulio de' Medici, the Medici device of a diamond ring with three feathers and motto 'Semper', a half-length figure of Peter in a roundel, a cameo of the Flagellation of Christ, flowers, strawberries, birds, pearls, snail shells, and medallions inscribed in capital letters 'Christus Deus Omniptens' and 'Deus in nomine tuo salvus me fac' on a gold-flecked black background. Historiated initial 'T' of the Elevation of the Host before an altar table with an image of Anthony Abbot, introducing the ~Te igitur~ of the Canon of the Mass. A cartouche inscribed 'Julius de Medicis, Cardin. Electus Sum. Pontif. (Clemens VII.) Anno Dom. MDXXIII'., Cuttings from a Missal of Cardinal Giulio de' Medici

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue