• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Full-page miniature of Luke painting seated at an easel supporting an arch-topped panel, and holding a brush and palette, with a winged bull, Luke's symbol, behind him, and a scroll bearing the opening words of Luke 1:5 ('Fuit in diebus Herodis'), with a full border including flowers, insects and a drum-beating ape., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Detail of a miniature of Luke painting seated at an easel supporting an arch-topped panel, and holding a brush and palette, with a winged bull, Luke's symbol, behind him, and a scroll bearing the opening words of Luke 1:5 ('Fuit in diebus Herodis')., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the Vulgate version. Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions Copied by Pieter Meghen of 's-Hertogenbosch of the diocese of Liège (b. c.1466/1467, d. 1540) for John Colet (b. c.1456, d.1519), dean of St

• Initial 'L'(yfe thow) with pen-flourishing with a drawing of twin dragons with the sun and moon. The dragons and text were reproduced by Elias Ashmole (b. 1617, d. 1692), on page 212 of his ~Theatrum chemicum britannicum~, which is noted at the top of the folio., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• Astrological drawing of the sun, moon, and Zodiac constellations., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• Initial 'A'(ries) with pen-decoration., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• Initial 'R'(yght) with pen-flourishing., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• A drawing of a spirit, sun, man, and woman., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• A drawing of a man and woman embracing., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• Drawing of an eagle, a snake, a man and a frog, with a legend below., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• A drawing of a village., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• Drawing of vessels relating to alchemy., Miscellaneous treatises on alchemy, including John Lydgate's 'The Churl and the Bird' (the latter imperfect at the beginning)

(1652) wherein Ashmole publishes the text and illustration from ff. 75-75v. John Batteley (b. c.1646, d. 1708), Church of England clergyman and antiquary; bought in 1723 through his nephew, John Batteley, by Edward Harley, along with other manuscripts (see ~Diary~

• Miniature of Nebuchadnezzar in bed with the Image of precious metals at the beginning of the prologue to Gower's Confessio amantis., Confessio amantis, with the Traitié pour essampler les amantz marietz, and a Latin prayer and two Latin Marian lyrics

of the prologue to Gower's Confessio amantis. This text was composed c. 1390 by John Gower (b. c. 1330, d. 1408), and is in the third recension of the text.One of 13 manuscripts containing an image of the Lover's Confession.

• Miniature of Nebuchadnezzar in bed with the Image of precious metals, and decorated initial 'O'(f hem) with acanthus leaves and foliate feathering extending into the margins at the beginning of the prologue to Gower's Confessio amantis., Confessio amantis, with the Traitié pour essampler les amantz marietz, and a Latin prayer and two Latin Marian lyrics

into the margins at the beginning of the prologue to Gower's Confessio amantis. This text was composed c. 1390 by John Gower (b. c. 1330, d. 1408), and is in the third recension of the text.One of 13 manuscripts containing

• Miniature of the Lover kneeling before the Confessor in a landscape at the beginning of book 1 of Gower's Confessio amantis, with an acanthus frame surrounding the miniature and decorated initial 'I'( may)., Confessio amantis, with the Traitié pour essampler les amantz marietz, and a Latin prayer and two Latin Marian lyrics

amantis, with an acanthus frame surrounding the miniature and decorated initial 'I'( may). This text was composed c. 1390 by John Gower (b. c. 1330, d. 1408), and is in the third recension of the text.One of 13 manuscripts containing

• null, Similitudines Anselmi, with table of chapters

Similitudines Anselmi, with table of chapters Former shelfmark (?) ‘L.N.9’, ‘N° 3’ (f. i verso) and ‘B’ (f. 66). ? John Brand (b. 1744, d. 1806), antiquary and topographer (inscribed in pencil ‘Archbishop Anselm’s Similitudes, Compleat/Wrote about Anno Domini 1400

• Drawing of bloodletting man., Medical miscellany, including John of Gaddesden's Rosa Anglica (ff. 48-169), and a phlebotomy

decoration in red or brown. Small initials in brown. Paraphs in red or blue. Diagram (f. 25). Medical miscellany, including John of Gaddesden's Rosa Anglica (ff. 48-169), and a phlebotomy Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and

• Canon tables and the ownership inscription of Lord Lumley., Gospels

spectral comparator, 10th century (see Keynes, 1985, pp. 167-69).Inscribed, 'Diamate', and 'Umfridus me fecit', 14th century (f. 3).Thomas Lee, John Birchyton, John Hinstyde [or Lynstyde], inscribed with their names, 15th century (f. 8v).N. Hersth, inscribed with his name, 15th century.John