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Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants. Italian cutting.The present cutting is kept in a box with Add. 35254I-O.
Decorated panels, the upper with a standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form
Detail of plaque, with standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones
Panel with the Latin inscription ('Vale Tiberi'). Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Detail of panel with Latin inscription. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones
Drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones
Detail of drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form
Drawing of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Detail of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Text pages with drawing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
Detail of a drawiing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of
in the early 15th century (f. 140v; inscription transcribed below). The chantry of St Giles in the chapel of St John the Evangelist at Ravensworth castle or manor, (Yorkshire) founded by Henry, Lord of Fitz Hugh in 1468: inscribed, late
in the early 15th century (f. 140v; inscription transcribed below). The chantry of St Giles in the chapel of St John the Evangelist at Ravensworth castle or manor, (Yorkshire) founded by Henry, Lord of Fitz Hugh in 1468: inscribed, late
in the early 15th century (f. 140v; inscription transcribed below). The chantry of St Giles in the chapel of St John the Evangelist at Ravensworth castle or manor, (Yorkshire) founded by Henry, Lord of Fitz Hugh in 1468: inscribed, late
established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Inscribed 'sent down Nov. 26 1764 Maj. Johnston' (f. [191]v, 'Nov. 26 1764 Major Johnson' (f. [192]). Illuminated initial John of Fordun England
established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Inscribed 'sent down Nov. 26 1764 Maj. Johnston' (f. [191]v, 'Nov. 26 1764 Major Johnson' (f. [192]). Illuminated initial John of Fordun England
the manuscript. Book of Hours, Use of Rome A member of the Guicciardini family of Florence: its arms (f. 13). John Gibson (fl. 1720-1726), dealer; sold to Edward Harley on 13 February 1723/4 (see ~Diary~ 1966; Wright 1972).The Harley Collection,
the manuscript. Book of Hours, Use of Rome A member of the Guicciardini family of Florence: its arms (f. 13). John Gibson (fl. 1720-1726), dealer; sold to Edward Harley on 13 February 1723/4 (see ~Diary~ 1966; Wright 1972).The Harley Collection,
'constat Johann(...)' (f. 58v). Added notes in English, rough sketches and diagrams by different ?15th/16th-century hands (ff. 1, 46v, 58v-59v). John Dee (b. 1527, d. 1609), mathematician, astrologer, and antiquary: his marks (ff. 1, 2); acquired in 1626 by Sir
Three puzzle initials 'M'(atheus), 'M'(atheus) and 'L'(iber), with pen-flourishing and one with a lion, at the beginning of two prologues to and at the beginning of Matthew; in the outer margin is a threaded book-mark. Catchwords; quire marks (in