• Litany with the names of Mary and Michael in gold letters., Psalter (the 'Ramsey Psalter' or 'Psalter of Oswald'), in the Gallican version, with a litany (ff. 209-211) followed by prayers (ff. 211-214)

saints in the litany include: Alban, Oswald, Kenelm, Edmund, Ethelbert, Cuthbert, Guthlac, Wilfred, John of Beverley, Chad, Erkonwald, Swithun, Birinus, Judoc, Machutus, Etheldreda, Sexburg, Withburg, and Werburg.The script of the Ramsey Psalter formed the basis of Edward Johnston's 'foundational hand'

• Litany with the name of Benedict in gold letters followed by the number III, indicating that he is to be invoked three times., Psalter (the 'Ramsey Psalter' or 'Psalter of Oswald'), in the Gallican version, with a litany (ff. 209-211) followed by prayers (ff. 211-214)

to be invoked three times. English saints in the litany include: Alban, Oswald, Kenelm, Edmund, Ethelbert, Cuthbert, Guthlac, Wilfred, John of Beverley, Chad, Erkonwald, Swithun, Birinus, Judoc, Machutus, Etheldreda, Sexburg, Withburg, and Werburg.The script of the Ramsey Psalter formed the

• Miniature of David in Prayer, and a full trompe l'oeil border, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

• Detail of an illuminated foliate headpiece, with birds and flowers around it., Liturgy of John Chrysostom, with marginal annotations, and three troparia to him

many of or with foliate forms, some with other colours. Small red or brown initials. Knotted decorative forms. Liturgy of John Chrysostom, with marginal annotations, and three troparia to him Written mainly by Sebastianos Argyropoulos, the Metropolites of Ephesus, in

• Miniature of David in Prayer, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

• Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants., Cuttings from a manuscript of Innocent VIII

Full-page border and section of border pasted at its centre in colours and gold with a bar of burnished gold decorated with leaves, floral forms, and bezants. Italian cutting.The present cutting is kept in a box with Add. 35254I-O.

• Decorated panels, the upper with a standing figure., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Decorated panels, the upper with a standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form

• Detail of plaque, with standing figure., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of plaque, with standing figure. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Panel with the Latin inscription ('Vale Tiberi')., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Panel with the Latin inscription ('Vale Tiberi'). Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of panel with Latin inscription., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of panel with Latin inscription. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Drawing of a epithet with putti., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of headstones

• Detail of drawing of a epithet with putti., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of drawing of a epithet with putti. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form

• Drawing of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Drawing of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of a panel with a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of a panel with a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Text pages with drawing of a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Text pages with drawing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Detail of a drawiing of a snake., Silloge, in the third recension (ff. 4-245), with calendar (ff. 1-3v), De xiv urbis regionibus (ff. 246-253v), De notis antiquis (ff. [254-269v]), and index of the locations of the inscriptions (ff. [270-271v])

Detail of a drawiing of a snake. Original foliation, and ink foliation, which stops at f. 253. Full-page calendar in colours and gold (ff. 1-3v). Headings in panels with text in gold or colours, some in the form of

• Initial with penwork decoration., Life of Thomas Becket (index Vie de Thomas Becket), in Anglo-Norman verse, followed by an Anglo-Norman crusade noted song ‘S’onques nus hom pour dure’ (ff. 14-14v); Anglo-Norman romance Guy of Warwick (index Gui de Warewic) (ff. 15-26)

Initial with penwork decoration. The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of St. Frideswide's, Oxford, now lost. It can also be found

• Miniature of the Virgin with the Christ Child, adored by an angel, and a full trompe l'oeil border, at the beginning of the Mass of the Virgin., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

• Miniature of the Virgin with the Christ Child, adored by an angel, at the beginning of the Mass of the Virgin., Book of Hours, Use of Rome

the Virgin (ff. 32-37); the Gospel Lessons (ff. 37-41v); prayers to the Virgin (ff. 42-47v); suffrages to the Trinity, Michael, John the Baptist, Peter and Paul, Nicholas, Mary Magdalene, Catherine, and Barbara (ff. 48-51v); the Hours of the Virgin (ff.

• Detail of the miniature of the Martyrdom of Blaise., Cuttings from a Missal of Clement VII

skill. At the centre is an initial T of extreme b[?eauty...style wherein is represented the Cardinal; the rest illeg. cropped]"'. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: acquired between the first publication of the catalogue