University of Paris (f. 4). John Batayle, a canon of St Bartholomew's at Smithfield, mentioned among other canons in a clerical subsidy roll of 1379 and named in a will of 1382, made by John Chyshull, another canon of St
University of Paris (f. 4). John Batayle, a canon of St Bartholomew's at Smithfield, mentioned among other canons in a clerical subsidy roll of 1379 and named in a will of 1382, made by John Chyshull, another canon of St
comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v) John Morgan (d.
comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v) John Morgan (d.
comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v) John Morgan (d.
comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v) John Morgan (d.
Sheldonian, '1697', but 1698?), II, no. 6526.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 180.Charles
Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs
Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a
Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing. The most remarkable example of a book of devotion that may show signs of having received that devotion in
Print with the Virgin nursing the Child. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490.
Pages painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It
Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It
of John, at the beginning of the Gospels. Added by contemporary professional hands, suffrages including small initials in plain red and blue (ff. 117v-120v) and the prayer O intemerata (ff. 121-123v) with a puzzle initial in red and blue at
Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It
Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It
left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, John, the Feeding of the Five Thousand, the Last Supper, Matthew, the Agony in the Garden, Christ before Caiaphas, Christ
Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, Matthew, the Feeding of the Five Thousand, the Last Supper, John, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection. Italian
Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and
Page of music on the verso of the folio. The leaf was taken out of Arundel 71 in 1947. 1 historiated initial, accompanied by a full trompe l'oeil border, in colours and gold (recto). Small initials in blue with