• Historiated initial 'A'(micus) of Nicholas and the three boys, and an historiated initial 'A'(ue) of Roche., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historiated initial 'D' of the Blessed Innocent in a bishop's mitre., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historiated initial 'C'(eleste) of Anne teaching the Virgin to read., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historiated initial 'O' of the Holy Virgins in prayer., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historaited initial 'V'(irgo) or Katherine with a crown, sword, and martyr's palm, and an historiated initial 'V'(eni) of Barbara with her tower behind her., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historiated initial 'O' of Genevieve with a taper and an open book., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historiated initial 'O'(bsecro te) of the Virgin and Child., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of the Dormition of the Virgin, and below, the funeral procession of the Virgin, with an illuminated initial 'C'(onverte)., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of the Dormition of the Virgin., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of the funeral procession of the Virgin, with an illuminated initial 'C'(onverte)., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historiated initial 'D'(eus) of John the Baptist clad in animal skins, with a partial border of flowers, leaves, and a bird., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

'D'(eus) of John the Baptist clad in animal skins, with a partial border of flowers, leaves, and a bird. 19th-century documents relating to the manuscript are kept as Yates Thompson 52, ff. 9-29. 12 calendar roundels in the lower margin,

• Detail of an historiated initial 'D'(eus) of John the Baptist clad in animal skins., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

historiated initial 'D'(eus) of John the Baptist clad in animal skins. 19th-century documents relating to the manuscript are kept as Yates Thompson 52, ff. 9-29. 12 calendar roundels in the lower margin, in colours and gold (ff. 1-12). 4 full-page

• Puzzle initial 'D'(eus)., Obituaries for priors and bishops of Durham with a calendar, prayers, Hours of the Virgin, and litany

Includes the obit of John Aukland, prior of Durham, who died in 1494 (f. 13v).For a full description of the contents, see the Harley Catalogue. Large puzzle initials in red and blue. Large initials in blue. Smaller initials in red

• Decorated initials 'A'(nimis nostris) and 'Q'(uerenti mihi sepenumero)., De temporibus (ff. 1-48), Historia (ff. 51-69v)

Decorated initials 'A'(nimis nostris) and 'Q'(uerenti mihi sepenumero). ff. 49-50 are blank paper leaves, apart from headers in brown ink. Full border in orange and purple ink with 1 large initial in red with orange and purple penwork decoration

• Detail of a coat of arms with a mermaid holding a mirror., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut; coats of arms., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.

• Text page with heraldry from a heraldic treatise by Adam Loutfut., Various heraldic treatises, including 'the Gaige of Battail' (ff. 1-5), heraldic treatise by Adam Loutfut (ff. 5-44), 'The Book of the Ordre of Chyvalry', translation of the French version of Ramon Lull's 'Le libre del ordre de cavayleria' (ff. 83-109), a poem on heraldry (ff. 151-155), Tractatus de nobilitate (ff. 155-164v), De duellis (ff. 164v-173v), imperfect

Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.