• Decorated initials., Mainly scientific and grammatic miscellany, including the Summa Chiromantiae (ff. 100-108v; 109-34), the Mirror of Light (ff. 155-168); Cistercian statuta and ordinationes (ff. 200-220); De sphaera (ff. 59-75); algorismus with commentary (ff. 26-43)

(ff. 26-43) The Cistercian abbey of St Mary, Buckfast, Devon: see Ker 1964.Inscription with the name John Fox (f. 34v)Inscriptions: 'John Sgacton (?), 'John Shabeton' (?) (ff. 1, 221).Sir Hans Sloane (b. 1660, d. 1753), baronet, physician and collector. Purchased

• null, Indenture between Lady Margaret Beaufort, countess of Richmond, and John Islip, abbot of Westminster abbey

and John Islip, abbot of Westminster abbey ? Lady Margaret Beaufort (b. 1443, d. 1509), countess of Richmond and Derby, mother of Henry VII (b. 1457, d. 1509): arms of the earldom of Richmond (f. 3); ? or ? John

• Decorated initial 'N'(os) and full border including medaillons with John the Baptist and Pierre, and rabbits; heraldic arms., Commission of Agostino Barbarigio, ~doge~ of Venice, appointing Giovanni Andrea Pizzamanno ~podestà~ of Conegliano

full border including medaillons with John the Baptist and Pierre, and rabbits; heraldic arms. 1 large decorated initial and a full foliate border including medaillons with saints, rabbits, and heraldic arms, in colours and gold (f. 1). Commission of Agostino

• Miniature of John the Evangelist as a scribe, writing on a leaf resting on his knee, with his symbol, the eagle, nearby, and a border of scrolls., Book of Hours, Use of Rome ('The Tilliot Hours')

of John the Evangelist as a scribe, writing on a leaf resting on his knee, with his symbol, the eagle, nearby, and a border of scrolls. The contents consist of a calendar (ff. 1-6v); suffrage to the Trinity (using masculine

• Historiated initial 'I'(nter) of John the Baptist., Book of Hours, Use of Rome ('The Tilliot Hours')

initial 'I'(nter) of John the Baptist. The contents consist of a calendar (ff. 1-6v); suffrage to the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by

• Miniature of the Visitation, and below, the naming of John the Baptist., Book of Hours, Use of Rome ('The Tilliot Hours')

the naming of John the Baptist. The contents consist of a calendar (ff. 1-6v); suffrage to the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by

• Illuminated initials decorated with berries or flowers and decorated line-fillers., Leaf from a Book of Hours (the 'Hours of Louis XII', or 'Hours of Henry VII'), including text from the abbreviated Psalter, on parchment.

of fragments from manuscripts and printed books, including maps and drawings, assembled in 64 volumes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). During the 19th century, the drawings and printed book fragments from the volume were

• Illuminated initial with pen-flourished decoration., Fragment from a Missal, on parchment

of fragments from manuscripts and printed books, including maps and drawings, assembled in 64 volumes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). 159 fragments from printed books were transferred from this volume to the Department of

• Coloured initial 'U' with penwork decoration., Fragment from and Canon law (?) text, on paper

of fragments from manuscripts and printed books, including maps and drawings, assembled in 64 volumes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). 159 fragments from printed books were transferred from this volume to the Department of

• Miniature of the Nativity of Christ, and below, Mary and Joseph approaching the inn, with an illuminated initial 'D'(eus)., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of Luke., Book of Hours, Use of Rome ('The Tilliot Hours')

(using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and of the

• Detail of a miniature of Matthew the Evangelist as a scribe, with his symbol, the winged man, nearby., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature with Dives, feasting with his wife and approached by Lazarus, in a cityscape, followed in the lower border by Dives tormented by demons and watched by the soul of Lazarus, which is held by God in heaven, and decorated initial 'D'(ilexi), at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of the Betrayal of Christ, followed in the lower border by Christ before Pilate, and decorated initial 'E'(gressus), at the beginning of the Passion of Christ., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of Mark reading a book and holding spectacles to his eyes, his evangelist symbol, the lion, observes, decorated initial 'I'(n), and three-sided border with empty scrolls/ribbons, at the beginning of Mark's Gospel., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of Mark reading a book and holding spectacles to his eyes, his evangelist symbol, the lion, observes, at the beginning of Mark's Gospel., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of the Betrayal of Christ, at the beginning of the Passion of Christ., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Lower border with Christ before Pilate, and decorated initial 'E'(gressus), at the beginning of the Passion of Christ., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historiated initial 'A'(doro) of the Trinity., Book of Hours, Use of Rome ('The Tilliot Hours')

(using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and of the

• Miniature of Luke the Evangelist as a scribe, with his symbol, the ox, nearby, and a border of scrolls., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and