• Historiated initial 'O' of the Holy Virgins in prayer., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historaited initial 'V'(irgo) or Katherine with a crown, sword, and martyr's palm, and an historiated initial 'V'(eni) of Barbara with her tower behind her., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historiated initial 'O' of Genevieve with a taper and an open book., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historiated initial 'O'(bsecro te) of the Virgin and Child., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of the Dormition of the Virgin, and below, the funeral procession of the Virgin, with an illuminated initial 'C'(onverte)., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of the Dormition of the Virgin., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of the funeral procession of the Virgin, with an illuminated initial 'C'(onverte)., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historiated initial 'D'(eus) of John the Baptist clad in animal skins, with a partial border of flowers, leaves, and a bird., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

'D'(eus) of John the Baptist clad in animal skins, with a partial border of flowers, leaves, and a bird. 19th-century documents relating to the manuscript are kept as Yates Thompson 52, ff. 9-29. 12 calendar roundels in the lower margin,

• Detail of an historiated initial 'D'(eus) of John the Baptist clad in animal skins., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

historiated initial 'D'(eus) of John the Baptist clad in animal skins. 19th-century documents relating to the manuscript are kept as Yates Thompson 52, ff. 9-29. 12 calendar roundels in the lower margin, in colours and gold (ff. 1-12). 4 full-page

• Historiated initial with a portrait of Ptolemy, a diagram illustrating musical principles, and, in the lower margin, the arms of Franchinus Gaufurio di Savigliano of Lodi., Harmonia

Historiated initial with a portrait of Ptolemy, a diagram illustrating musical principles, and, in the lower margin, the arms of Franchinus Gaufurio di Savigliano of Lodi. Vertical catchwords. 1 large historiated initial in colours and gold with a portrait

• Calendar page for January, with a miniature of John the Evangelist holding a chalice with a serpent., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

with a miniature of John the Evangelist holding a chalice with a serpent. 19th-century documents relating to the manuscript are kept as Yates Thompson 52, ff. 9-29. 12 calendar roundels in the lower margin, in colours and gold (ff. 1-12).

• Calendar page for October, with a miniature of a John the Baptist, with sores on his skin., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

with a miniature of a John the Baptist, with sores on his skin. 19th-century documents relating to the manuscript are kept as Yates Thompson 52, ff. 9-29. 12 calendar roundels in the lower margin, in colours and gold (ff. 1-12).

• Miniature of various locations set out in a landscape: 'La Chastel en Chaire', 'Le jardin du baume,' 'La cite de Babiloine,' and 'Les Moulins de Babiloine'., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in

• Miniature of Nectanebus receiving a letter; miniature of Nectanebus on a roof, in flight, having shaved his head., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in

• Miniature of John the Evangelist in Patmos, with a full border and a foliate initial 'S'(aint), at the beginning of the life of John., Assumption of the Virgin and saints' Lives

of John the Evangelist in Patmos, with a full border and a foliate initial 'S'(aint), at the beginning of the life of John. Miniatures were attributed to the Master of the Dresden Prayerbook (Brinkmann 1997), who also illuminated Sir John

• Excised initial with a partial foliate border, at the beginning of book 5., Siege of Troy (the Troy Book)

book 5. Includes the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and presented to him as

• Detail of an excised initial with a partial foliate border, at the beginning of book 5., Siege of Troy (the Troy Book)

beginning of book 5. Includes the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and presented to

• Illuminated initial 'O'(migty) at the beginning of Book 1, with a partial foliate border., Siege of Troy (the Troy Book)

partial foliate border. Includes the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and presented to him

• Excised miniature with a foliate border., Siege of Troy (the Troy Book)

the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and presented to him as Henry V, in

• Page with excised miniature; and an illuminated initial 'O'(migty) at the beginning of Book 1, with a partial foliate border., Siege of Troy (the Troy Book)

1, with a partial foliate border. Includes the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and