• Historiated initial 'O'(bsecro te) of the Virgin and Child., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Miniature of the Dormition of the Virgin, and below, the funeral procession of the Virgin, with an illuminated initial 'C'(onverte)., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of the Dormition of the Virgin., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Detail of a miniature of the funeral procession of the Virgin, with an illuminated initial 'C'(onverte)., Book of Hours, Use of Rome ('The Tilliot Hours')

the Trinity (using masculine forms) (f. 7r-v); f. 8r-v is ruled, otherwise blank; Gospel extracts (ff. 9-12v); the Passion narrative (John 18:1-19:42), followed by a prayer (ff. 13-19); the Hours of the Virgin, with the Hours of the Cross and

• Historiated initial 'D'(eus) of John the Baptist clad in animal skins, with a partial border of flowers, leaves, and a bird., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

'D'(eus) of John the Baptist clad in animal skins, with a partial border of flowers, leaves, and a bird. 19th-century documents relating to the manuscript are kept as Yates Thompson 52, ff. 9-29. 12 calendar roundels in the lower margin,

• Detail of an historiated initial 'D'(eus) of John the Baptist clad in animal skins., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

historiated initial 'D'(eus) of John the Baptist clad in animal skins. 19th-century documents relating to the manuscript are kept as Yates Thompson 52, ff. 9-29. 12 calendar roundels in the lower margin, in colours and gold (ff. 1-12). 4 full-page

• Historiated initial with a portrait of Ptolemy, a diagram illustrating musical principles, and, in the lower margin, the arms of Franchinus Gaufurio di Savigliano of Lodi., Harmonia

Historiated initial with a portrait of Ptolemy, a diagram illustrating musical principles, and, in the lower margin, the arms of Franchinus Gaufurio di Savigliano of Lodi. Vertical catchwords. 1 large historiated initial in colours and gold with a portrait

• Calendar page for January, with a miniature of John the Evangelist holding a chalice with a serpent., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

with a miniature of John the Evangelist holding a chalice with a serpent. 19th-century documents relating to the manuscript are kept as Yates Thompson 52, ff. 9-29. 12 calendar roundels in the lower margin, in colours and gold (ff. 1-12).

• Calendar page for October, with a miniature of a John the Baptist, with sores on his skin., Book of Hours, Use of Rome (the 'Hours of Bonaparte Ghislieri', formerly known as 'The Albani Hours')

with a miniature of a John the Baptist, with sores on his skin. 19th-century documents relating to the manuscript are kept as Yates Thompson 52, ff. 9-29. 12 calendar roundels in the lower margin, in colours and gold (ff. 1-12).

• Miniature of John the Evangelist in Patmos, with a full border and a foliate initial 'S'(aint), at the beginning of the life of John., Assumption of the Virgin and saints' Lives

of John the Evangelist in Patmos, with a full border and a foliate initial 'S'(aint), at the beginning of the life of John. Miniatures were attributed to the Master of the Dresden Prayerbook (Brinkmann 1997), who also illuminated Sir John

• Excised initial with a partial foliate border, at the beginning of book 5., Siege of Troy (the Troy Book)

book 5. Includes the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and presented to him as

• Detail of an excised initial with a partial foliate border, at the beginning of book 5., Siege of Troy (the Troy Book)

beginning of book 5. Includes the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and presented to

• Illuminated initial 'O'(migty) at the beginning of Book 1, with a partial foliate border., Siege of Troy (the Troy Book)

partial foliate border. Includes the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and presented to him

• Excised miniature with a foliate border., Siege of Troy (the Troy Book)

the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and presented to him as Henry V, in

• Page with excised miniature; and an illuminated initial 'O'(migty) at the beginning of Book 1, with a partial foliate border., Siege of Troy (the Troy Book)

1, with a partial foliate border. Includes the Siege of Troy or the Troy Book, John Lydgate's (b. c.1370, d. 1449/50?) translation of Historia destructionis Troiae of Guido delle Colonne, originally commissioned by Prince Henry on 31 October 1412, and

• Initial 'C'(um) in blue with red pen-flourishing., Miscellany of Middle English Verse containing: 'Cato Major' and 'Parvis Cato' by Benedict Burgh (ff. 3-30), 'Proverbs of Old Philosophers' (ff. 30-40), and 'Destruction of Jerusalem' ('Titus and Vespasian') (ff. 40v-127)

Vespasian') (ff. 40v-127) Added text, 15th century: excerpt from the 'Libro Bruti' (f. 127v).John Penyngton, 15th century: inscribed with 'Master John Penyngton schole master of Worcestur ys possessed of thys booke' (f. 2v).John Bland, 16th century: inscribed with his name

• Initial 'L'(esteneth) in red at the beginning of 'Destruction of Jerusalem'., Miscellany of Middle English Verse containing: 'Cato Major' and 'Parvis Cato' by Benedict Burgh (ff. 3-30), 'Proverbs of Old Philosophers' (ff. 30-40), and 'Destruction of Jerusalem' ('Titus and Vespasian') (ff. 40v-127)

Vespasian') (ff. 40v-127) Added text, 15th century: excerpt from the 'Libro Bruti' (f. 127v).John Penyngton, 15th century: inscribed with 'Master John Penyngton schole master of Worcestur ys possessed of thys booke' (f. 2v).John Bland, 16th century: inscribed with his name

• Text pages with ink drawings in the lower margin, including a decorated catchword and the monogram of the scribe John Clement., Secretum secretorum

a decorated catchword and the monogram of the scribe John Clement. Initials alternately red or blue. Decorative catchwords include fish, heraldic arms (f. 9v), and humans. Secretum secretorum Written by John Clement: his colophon 'Explicit liber Aristotelis de secretis Secretorum.

• Miniature of the Assumption of the Virgin, with a full border containing the arms of John Doone, and a foliate initial 'A'(pres)., Assumption of the Virgin and saints' Lives

with a full border containing the arms of John Doone, and a foliate initial 'A'(pres). Miniatures were attributed to the Master of the Dresden Prayerbook (Brinkmann 1997), who also illuminated Sir John Donne's Book of Hours (Louvain-la-Neuve, Université Catholique de

• Flourished 'KL' letters for February., Breviary, Use of York (fragment), with a calendar (ff. 2-7v)

Viscount Fauconberg (between 1718 and 1774: his heraldic book-plate (inside upper cover). John Jackson, 19th century: inscribed his name (1st flyleaf).Bought by the British Museum from Rev. John C. Jackson, 8 December 1866 (note on 1st flyleaf), using the Farnborough