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British Library Catalogue of Illuminated Manuscripts
Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o
Full foliate border containing putti, a unicorn, a female head in profile, a gem, and an escutcheon with the arms of Tedaldi, and an illuminated initial 'S'(emper) at the beginning of Juvenal's Satires. 1 full foliate border, heraldic arms,
Reynolds' , f. 116, and 'Anthony Harris of Cheston in the county of Suff', f. 92v, in the same hand). John Reynolds, 17th century: (inscription, f. 282v). ? Price: 'ei/r', f. i verso. Charles Burney (b. 1757, d. 1817), D.
1 full foliate border, heraldic arms, putti, unicorn, and profile heads (f. 2). 2 large initials, in colours and gold (ff. 2, 79). Small initials in plain blue (or absent). Satires (index Saturae, Satirae) A member of the Tedaldi
1 full foliate border, heraldic arms, putti, unicorn, and profile heads (f. 2). 2 large initials, in colours and gold (ff. 2, 79). Small initials in plain blue (or absent). Satires (index Saturae, Satirae) A member of the Tedaldi
1 full foliate border, heraldic arms, putti, unicorn, and profile heads (f. 2). 2 large initials, in colours and gold (ff. 2, 79). Small initials in plain blue (or absent). Satires (index Saturae, Satirae) A member of the Tedaldi
1 full foliate border, heraldic arms, putti, unicorn, and profile heads (f. 2). 2 large initials, in colours and gold (ff. 2, 79). Small initials in plain blue (or absent). Satires (index Saturae, Satirae) A member of the Tedaldi
Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o
Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o
Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o
Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o
Florence: rubric 'Incipit psalterium componitum secundum morem et ordinem Vallis Umbrose' (p. 1); the litany includes Salvius, ‘Sancte pater Benedicte’, John (Gualbert?), and Reparata; Benedict and Salvius are emphasised in the Sanctorale (pp. 269, 407); inscribed, 17th century, ‘De s(an)c(t)o
lot 1567; bought by Chapman for 12s. 6d.? King & Chapman, booksellers; their catalogue 15 November 1790, lot 2746. ? John Brand (b. 1744, d. 1806), antiquary and topographer: inscribed in pencil ‘A Dictionary of the Bible [Wrote] About Anno,
Henry II, Richard, and John, and their children shown in circles. Large concentric circles in red around the names. Continuous line in red connecting the circles at the upper margin (ff. 2v-23). Genealogical roll of the kings of England to
Purchased as part of the Sloane collection from Sloane's executors and incorporated into the newly founded British Museum in 1753. Text Gilles de Corbeil (index Aegidius Corbeiensis); John of Toledo; Gerard of Cremona (index Gerald of Cremona; Gerardus Cremonensis) England
hind-quarters of a lion, collared, chained, and ringed or (f. 158v), inscribed twice 'the Lorde Morley's best' (ff. 157v, 158). John Messe, binder: inscribed twice by the same hand as above 'Iohannes Meese me ligavit', late 15th century (f. 158).The
hind-quarters of a lion, collared, chained, and ringed or (f. 158v), inscribed twice 'the Lorde Morley's best' (ff. 157v, 158). John Messe, binder: inscribed twice by the same hand as above 'Iohannes Meese me ligavit', late 15th century (f. 158).The
Genealogical diagram in brown, yellow, and red ink. Horizontal catchwords, some in decorative frames.Ruled in red.Unfinished; spaces left for large initials.f. 1* is a former pastedown inscribed, 'Orate pro anima'.1 ruled leaf after f. 299. Genealogical diagrams in brown,
colours and gold. Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke
colours and gold. Musical notation (ecphonetic).Contents:Daily readings in John (ff. 1-65v);Saturday-Sunday readings in Matthew (ff. 66v-103);Saturday-Sunday readings in Luke (ff. 104-143);Saturday-Sunday readings in Mark (ff. 143v-187);Holy Week readings (ff. 187v-245v);Synaxarion (ff. 246-359).f. 66 is a blank leaf.The portrait of Luke