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British Library Catalogue of Illuminated Manuscripts
of fragments from manuscripts and printed books, including maps and drawings, assembled in 64 volumes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). During the 19th century, the drawings and printed book fragments from the volume were
of fragments from manuscripts and printed books, including maps and drawings, assembled in 64 volumes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). 159 fragments from printed books were transferred from this volume to the Department of
of fragments from manuscripts and printed books, including maps and drawings, assembled in 64 volumes by the bookseller and antiquary John Bagford (b. 1650/51, d. 1716). 159 fragments from printed books were transferred from this volume to the Department of
and John Wywell, regarding rent of lands at Osgodby, county York, dated 26 October 18 Henry VIII [1526] (f. 90v).Brian Fairfax: record by Thomas Tanner in 1695 that it had belonged to him (see Burton 2004 p. xxvi). John Rushworth
of John the Baptist. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 24 scatter borders in the calendar, historiated with
the French throne receiving his crown, robe, helm, sword and shield, with mounted knights in the lower border (f. 2). John Tyson, 15th century: inscribed with his name (f. 141).John Dee (b. 1527, d. 1609), mathematician, astrologer, and antiquary: a
of John writing (f. 19)). 6 historiated initials in ochre with gold acanthus leaves of Christ appearing to the Mary Magdalene, the Virgin and Child in bust as the Apocalyptic Woman (f. 3v), Christ (f. 4v), the Virgin and John
of John the Baptist and a scatter border. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 24 scatter borders in
of John the Evangelist and a scatter border. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII, Elizabeth of York, Henry VIII, and Catherine of Aragon. 24 scatter borders in
were probably sold in his sales of 2 or 15 April 1889, though they are not identifiable in the catalogues. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: purchased from him by the Department of Prints
were probably sold in his sales of 2 or 15 April 1889, though they are not identifiable in the catalogues. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: purchased from him by the Department of Prints
were probably sold in his sales of 2 or 15 April 1889, though they are not identifiable in the catalogues. John Malcolm of Poltalloch (b. 1805, d. 1893), art collector and landowner: purchased from him by the Department of Prints
Partial border with birds and a leopard and an historiated initial 'D'(um) of Petrarch, holding a book. f. [iv] is a former pastedown.There are 3 unfoliated ruled folios after f. 6*.The table of contents (ff. 1*-6*) is in a
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
Historiated initial 'E'(x) of Petrarch at the preface of the second book. f. [iv] is a former pastedown.There are 3 unfoliated ruled folios after f. 6*.The table of contents (ff. 1*-6*) is in a different hand from the rest
Text page with decorated initial 'F'(ratres) and three initials smaller with penwork decoration: 'C'(onditor), 'E'(xcita), 'V'(erbum). Horizontal catchwords, some with simple penwork frames.f. [278] is a ruled parchment leaf. 2 large illuminated intials in colours and gold with acanthus
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer
117v), the Nailing to the Cross (f. 118v), the Crucifixion (f. 119), the Deposition (f. 119v; unfinished), the Pietà with John and Mary Magdalene (f. 120v), the Entombment (f. 121)). 'Champ' initials in colours and gold. Paraphs in red. Prayer