• Unfinished canon table with dragons; coloured initial., The Four Gospels, preceded by a prologue and Jerome's letter, with table of chapters and argumenta; a lectionary (ff. 216-224) (external link no longer available)

3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four

• Text page., The Four Gospels, preceded by a prologue and Jerome's letter, with table of chapters and argumenta; a lectionary (ff. 216-224) (external link no longer available)

3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four

• Outline drawing of Mark., The Four Gospels, preceded by a prologue and Jerome's letter, with table of chapters and argumenta; a lectionary (ff. 216-224) (external link no longer available)

3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four

• Text pages., The Four Gospels, preceded by a prologue and Jerome's letter, with table of chapters and argumenta; a lectionary (ff. 216-224) (external link no longer available)

3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four

• Detail of text page., The Four Gospels, preceded by a prologue and Jerome's letter, with table of chapters and argumenta; a lectionary (ff. 216-224) (external link no longer available)

3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four

• Text pages., The Four Gospels, preceded by a prologue and Jerome's letter, with table of chapters and argumenta; a lectionary (ff. 216-224) (external link no longer available)

3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four

• Detail of text page., The Four Gospels, preceded by a prologue and Jerome's letter, with table of chapters and argumenta; a lectionary (ff. 216-224) (external link no longer available)

3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four

• Text page with initials, marginal notes and ink drawing of a pitcher., De fide orthodoxa (external link no longer available)

Angliae et Hiberniae~, 3 vols. (Oxford: Sheldonian, '1697', but 1698?), II, no. 7888).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Text page John of Damascus, translated by Burgundio of Pisa England

• Detail of illuminated initial 'D' with a dog., Theological miscellany, including Goselin's (index: Gocelinus, Jocelyn) Life of Augustine and other saints' lives (see Notes) (external link no longer available)

testimonio bonorum virorum inspexi et iterato decentius in hoc loco coalltum anno gratie m. cc. lix mense maii' (f. 136v).Sir John Cotton (b. 1621, d. 1702), 3rd baronet: inscription that it belonged to him with the date 20 March, 1665

• Detail of an inhabited initial 'R'(egu) with a dragon, in gold and colours., Theological miscellany, including Goselin's (index: Gocelinus, Jocelyn) Life of Augustine and other saints' lives (see Notes) (external link no longer available)

testimonio bonorum virorum inspexi et iterato decentius in hoc loco coalltum anno gratie m. cc. lix mense maii' (f. 136v).Sir John Cotton (b. 1621, d. 1702), 3rd baronet: inscription that it belonged to him with the date 20 March, 1665

• Interlace initial 'D'(omino) with animal heads at the beginning of Bede's prologue to the life of Cuthbert, in the form of a letter written to Eadfrith, to whom he dedicated the work., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66) (external link no longer available)

Interlace initial 'D'(omino) with animal heads at the beginning of Bede's prologue to the life of Cuthbert, in the form of a letter written to Eadfrith, to whom he dedicated the work. Wormald Type II(b) initials of heads, interlace

• Title page for the first section of Bede's prose Life of Cuthbert with the title in capital letters, and a rectangular border., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66) (external link no longer available)

Title page for the first section of Bede's prose Life of Cuthbert with the title in capital letters, and a rectangular border. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ

• Interlace initial 'P'(rincipium) with animal heads at the beginning of Bede's prose life of Cuthbert., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66) (external link no longer available)

Interlace initial 'P'(rincipium) with animal heads at the beginning of Bede's prose life of Cuthbert. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff.

• Coloured and decorated initials, the lower 'V'(ir) including an animal head, in a page from Bede's verse Life of Cuthbert with glosses written over the lines of the poem in Latin or Old English., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66) (external link no longer available)

Coloured and decorated initials, the lower 'V'(ir) including an animal head, in a page from Bede's verse Life of Cuthbert with glosses written over the lines of the poem in Latin or Old English. Wormald Type II(b) initials of

• Decorated initial in Bede's Life of Cuthbert, here with the text of Cuthbert's retirement to a small island off Lindisfarne, the discovery of his body, and the immediate commemoration of him as a holy man, with glosses in Latin and Old English above the lines., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66) (external link no longer available)

Decorated initial in Bede's Life of Cuthbert, here with the text of Cuthbert's retirement to a small island off Lindisfarne, the discovery of his body, and the immediate commemoration of him as a holy man, with glosses in Latin

• Title page and interlace initial 'P'(rincipium) with animal heads and mask., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66) (external link no longer available)

Title page and interlace initial 'P'(rincipium) with animal heads and mask. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was

• Coloured initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66) (external link no longer available)

Coloured initials. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic

• Coloured and decorated initials., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66) (external link no longer available)

Coloured and decorated initials. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for

• Diagram., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66) (external link no longer available)

Diagram. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church – Canterbury ?), 11th century (ff. 43-44; 63-66v).St Cuthbert was a seventh-century, English Christian leader, renowned for his ascetic practices

• Initial 'I' with foliate decoration., Ceasarius's 'Sermones' (ff. 1-53v), and Gregory's 'Dialogi', Books 1-4, imperfect at the end (ff. 55-130v) (external link no longer available)

da Forlì, chancellor of Pistoia (ff. 1, 135), and Franciscus Luce; 15th-century pressmark 'E.V.' (ff. 133, 191v; see Wright 1972). John Gibson (fl. 1720-1726), dealer: sold to Edward Harley on 22 June 1726 (Wright and Wright 1966; Wright 1972).The Harley