• Decorated initial 'H'(is) at the beginning of Book II., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect (external link no longer available)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Decorated initial 'S'(uccessit) at the beginning of Book V. The roman numeral 'xvii' at the lower edge of the page is a quire signature., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect (external link no longer available)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Ownership inscription: 'Liber sancti Andree Roffensis ecclesie' (book of the church of St. Andrew, Rochester). The inscription above ('5 die Novembris A.D. 1723') was written by Humfrey Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect (external link no longer available)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Decorated initial 'G'(loriossimo), and in the lower margin is an added inscription recording that the book belonged in the cloister of Rochester Cathedral, and was given by Hubert the precentor., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect (external link no longer available)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Decorated initial 'A'(t) at the beginning of Book III. In the top margin and top right corner are the book number '3', and the folio number '63'; the sketch of a horse's head in the lower margin is a doodle by a later reader., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect (external link no longer available)

1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

• Incipit page to John., Gospels, with canon tables, chapter lists, and lections (external link no longer available)

page to John. There is a close connection between this manuscript and others from Echternach (see Boeckler 1933, pp. 44-45), e.g. British Library Egerton 608, and Paris, BN, lat. 10438, made for bishop Adalbero III of Metz (1047-1072).The scribe responsible

• Decorated initial 'I'(initum) with interlace patterns at the beginning of Mark., Gospels (ff. 1-139) and capitulare evangeliorum (ff. 139v-150) (external link no longer available)

with interlace patterns at the beginning of Matthew ('L'[iber], f. 10v), Mark ('I'[nitium], f. 46), Luke ('Q'[uoniam], f. 71v), and John ('I'[n], f. 112v). Initials with coloured highlights (ff. 8v, 11, 44, 68v-71, 110v-113). Some initials in red or red

• Puzzle initial and inhabited initial at the prologue and beginning of Judith., Bible (with Psalms) and Interpretation of Hebrew Names, imperfect (external link no longer available)

1659 'Joh[ann]es Covel xpti. Coll. Soc. 1659 mnemosunon [in Greek] Tho: Hu:’ (f. 1). No. XXVI (f. [ii]) corresponds to John Covel's numbering system in his catalogue (Add. 22911, ff. 180-183) where this manuscript is no. 26 in the Latin

• Zoomorphic initial with interlace at the beginning of John 18., Extracts from the Gospels and prayers ('The Book of Nunnaminster') (external link no longer available)

at the beginning of John 18. One of a group of Southumbrian prayerbooks of the "Tiberius" group, the others being Harley 7653, and Cambridge, Cambridge University Library, MS Ll.1.10 (Book of Cerne). All, except Cerne, exhibit linguistic features which raise

• Miniature of John, holding a manuscript, seated at a lecturn., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum (external link no longer available)

of John, holding a manuscript, seated at a lecturn. Manuscripts with similar decorative programme include Berlin, Kupferstich-Kabinett, 78.A.3 (147) and Stuttgart, Landesbibliothek, Cod. Bibl. Pal. 21 from St Gereon, Cologne.A miniature of Christ in Majesty originally may have faced f.

• Zoomorphic initial 'Q'(uid) formed by two dragons biting each other's tails, at the beginning of homily 9 in the second book of Gregory the Great's Homilies on Ezekiel., Homilies on Ezekiel (external link no longer available)

Brander (b. 1719/20, d. 1787), merchant and antiquary: his sale, 8 February 1790, lot 1124, bought by Shaw for 10s. John Topham (b. 1746, d. 1803), antiquary, (bookplate with his arms and ‘John Topham Esq.’, f. 1v): his sale, 9

• Zoomorphic initial 'Q'(uid) formed by two dragons biting each other's tails, at the beginning of homily 9 in the second book of Gregory the Great's Homilies on Ezekiel., Homilies on Ezekiel (external link no longer available)

Brander (b. 1719/20, d. 1787), merchant and antiquary: his sale, 8 February 1790, lot 1124, bought by Shaw for 10s. John Topham (b. 1746, d. 1803), antiquary, (bookplate with his arms and ‘John Topham Esq.’, f. 1v): his sale, 9

• Zoomorphic initial 'M'(agnitudo) in dark brown ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a grotesque(s)., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90) (external link no longer available)

of the abbot of St Albans in 1401 (ff. 1*, 91): see Thomson 1982, I, p. 92. John Beriman (?), 16th century: inscribed 'John ?Beriman owneth this boke' (f. 2*v).Added note, early 16th century (f. 90v). Edward Stillingfleet (b. 1635,

• Zoomorphic initial 'I' in dark brown ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a bird., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90) (external link no longer available)

of the abbot of St Albans in 1401 (ff. 1*, 91): see Thomson 1982, I, p. 92. John Beriman (?), 16th century: inscribed 'John ?Beriman owneth this boke' (f. 2*v).Added note, early 16th century (f. 90v). Edward Stillingfleet (b. 1635,

• Following the end of the Gospel of John on the last page of the manuscript is a detailed note, beginning 'Or(ait) do Maelbrigte hua Maeluanaig q(u)i scribsit h(un)c librum . . .' (Pray for Maelbrigte hua Maeluanaig, who wrote this book . . .). The note mentions various people, places, and events, which allow the dating of the manuscript to 1138., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

of the Gospel of John on the last page of the manuscript is a detailed note, beginning 'Or(ait) do Maelbrigte hua Maeluanaig q(u)i scribsit h(un)c librum . . .' (Pray for Maelbrigte hua Maeluanaig, who wrote this book . .

• Decorated initials 'IN' and 'P'(rincipio) at the beginning of the Gospel of John., Gospels of Maelbrigte (the 'Armagh Gospels'; 'Marelbrid Gospels'), with glosses (external link no longer available)

the beginning of the Gospel of John. According to Glunz, with marginal and interlinear glosses that were read in the cathedral school in Paris in the fourth decade of the 12th century.Henry and Marsh-Micheli's Group IVA: 'Middle and Late Twelfth-Century

• Miniature of John the Baptist with staff., Prayer book (The 'Prayer book of Archbishop Arnulph II of Milan') (external link no longer available)

of John the Baptist with staff. Contents include an abbreviated Psalter, consisting of verses selected after the pattern of the so-called 'Psalter of St Jerome' from the Psalms according to the Milanese version (ff. 1-16), processional for Rogationtide, prayers, litany,

• Miniature of John the Evangelist holding a book., Prayer book (The 'Prayer book of Archbishop Arnulph II of Milan') (external link no longer available)

of John the Evangelist holding a book. Contents include an abbreviated Psalter, consisting of verses selected after the pattern of the so-called 'Psalter of St Jerome' from the Psalms according to the Milanese version (ff. 1-16), processional for Rogationtide, prayers,

• Coloured initial 'P'(rimus) at the beginning of notes on the compotus, and below, an added list of the archbishops of Canterbury., Treatise on the compotus, 'Ratio Gai cesaris de ordine anni', instructions for the discovery of the age of the moon, a table of moveable feasts, and other texts (external link no longer available)

14th-15th century (f. 1).Added tables to show the dates of Easter from 1406-1433 (f. 13); and from 1420-1447 (f. 13v).? John Trendle, a monk of Christ Church, Canterbury (d. 1433): inscribed 'Quere residuum istius operis in tabula Johannis Trendle' (f.

• Interlace initials 'D'([omi]no' and 'M'(ulta) at the beginning of Bede's prologue to his verse Life of Cuthbert, addressing a priest named John, who was setting out on a pilgrimage to Rome., Lives of Cuthbert in prose (ff. 2-42v) and verse (ff. 45-62v), with services for Cuthbert, Benedict and Guthlac with musical notation (ff. 43-44; 63-66) (external link no longer available)

prologue to his verse Life of Cuthbert, addressing a priest named John, who was setting out on a pilgrimage to Rome. Wormald Type II(b) initials of heads, interlace in outline, and acanthus foliage.Musical notation: Breton neumes, England (Christ Church –