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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

787 results from this resource . Displaying 241 to 260

fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal

fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal

fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal

fratris Martini' in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 5v (see Carley 2000).The Old Royal

on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus

with interlace patterns within full-page rectangular frames of gold and red or colours at the beginning of Gospels, that for John on a purple background (ff. 15, 57, 86, 132). Initials and text entirely in gold. Numbers in red. Gospels,

on red or yellow backgrounds. Text in red, sometimes with a yellow wash. The Pauline and Catholic Epistles (except III John and Jude), and Revelation, imperfect Inscribed in runes 'Ego Iusueus Hac/si indignus diacon[us]/ [h]anc librum quem / ad opus

parallel passages in Matthew, Mark, Luke, and John. 12 canon tables in colours and gold, with architectural decoration, and various figures, such as Christ blessing, Peter and Paul, angels, animals, and hybrid creatures (ff. 6-12v). Incipit page for Mark with

Text page from a leechbook. Musical notation: Anglo-Saxon neumes, England, 11th century (f. 4v) Large initials in brown ink. Medical recipes (ff. 1-3); Laws of King Edgar (ff. 3v-4v); Statement by Oswald, archbishop of York concerning land (f. 4v),

Decorated initials in the laws of Edgar. Musical notation: Anglo-Saxon neumes, England, 11th century (f. 4v) Large initials in brown ink. Medical recipes (ff. 1-3); Laws of King Edgar (ff. 3v-4v); Statement by Oswald, archbishop of York concerning land

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

of yellow, pink, and brown, with penwork decoration (including of an animal head) at the beginning of Mark, Luke, and John (ff. 11, 34, 65). Small initials in brown. Gospel Book, imperfect, with glosses in Irish and Latin Attributed to

at the beginning of the Passion of Christ according to John. f. 1 is an added printed leaf of a title page for a book of hours, Paris 1600, signed by 'Iamet Mettayer Imprimeur Ordinaire du Roy'. 24 small miniatures,

commentary on chapter 2 of a letter of John. ff. 1, 2 and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century text from a missal, f. 2v with simple red, blue, or green initials; f. 93 is a

beginning of the Letters of John, with the beginnings of paragraphs marked in yellow and a 'q' in the margin, and a marginal marking of 'C1'. ff. 1, 2 and 94 are parchment flyleaves; ff. 2v and 94 have 12th-century

3 sketches in pencil and purple ink for large initials with foliate decoration at the beginning of Luke and of John (ff. 111v, 112, 172). Large and small simple initials in red or brown. Running headings in red. The Four

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 12 June 2021), https://www.manuscriptsonline.org/search/results?ac=f&ft=t&kw=john&sdt=1161&st=240