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and 4 of the ~Doctrinale~ and was also given to the monks of Gloucester College by John Whethamstede. Together, the books were produced for John Whethamstede at a cost of £6 13s 4d.On ff. 204-205v, a brief subject index has
of St. Mary, St. John the Baptist and All Saints in Henton, Somerset, reading 'Explanat[i]o d[omi]ni Rad[u]l/phii Flaviacens[is] monachi / sup[er] librum Leviticum / Liber. Undecimus in E. / Hentone. ord[inis] Chartusie', and names of John Lumley and Thomas Cranmer,
in the upper register, and of the martyrdom of Amphibaldus in the lower register; and a miniature of John the Baptist with John the Evangelist in the upper register, and an Archbishop and an abbot or bishop in the lower
beginning of the prologue to John. Catchwords and quire and bifolium signatures. 2 historiated initials in colours, at the beginning of the two Gospels (ff. 2, 121v), and 2 foliate initials with dragons in colours, at the beginning of prologues
Calligraphic initial 'T'(he) at the beginning of the Testament of John Lydgate. Part 1 includes two works by John Lydgate, the Troy Book, a translation from Historia destructionis Troiae of Guido delle Colonne, originally presented by Lydgate to Henry V
4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English
4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English
4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English
4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English
4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English
4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English
4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English
4).Henry Savile of Banke, Yorkshire (b. 1568, d. 1617), collector of manuscripts, probably acquired by him from John Nelton: shorthand inscription deciphered as 'John Netlton. Henry Savil' (ff. 4, 5v) (see Warner and Gilson 1921).The Old Royal Library (the English
version (the Surtees Psalter version) Inscription 'Will (?) Bonnell' (f. 1v).John Fauntleroy: inscription in calligraphy (f. 1*); inscription (f. 1); 'John Fauntlero' (f. [101v].Bought by the British Museum in 1836, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis
the beginning of the sermons based on John. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with
initial at the beginning of John Chrysostom's homily De diabolo tentatore. Misbinding of ff. 1-20 noted in a 13th century (?) Greek hand in the lower margin. ff. 38-39 bound upside down. Large foliate, geometric, or decorated headpieces in colours
beginning of the preface to John Gaddesden's Rosa Anglica. 15th-century? foliation in brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue
designed 'E': see Marsden 1999 p. 290 and n. 25. 2 full page miniatures of Evangelist portraits of Mark and John (ff. 45v, 78v). Canon tables in frames in brown and yellow, some with animal heads (ff. 3v-7). 4 very
designed 'E': see Marsden 1999 p. 290 and n. 25. 2 full page miniatures of Evangelist portraits of Mark and John (ff. 45v, 78v). Canon tables in frames in brown and yellow, some with animal heads (ff. 3v-7). 4 very
designed 'E': see Marsden 1999 p. 290 and n. 25. 2 full page miniatures of Evangelist portraits of Mark and John (ff. 45v, 78v). Canon tables in frames in brown and yellow, some with animal heads (ff. 3v-7). 4 very