• Historiated initial 'U' of John the Baptist, measuring 85 x 80 mm (upper left)., Cuttings from liturgical manuscripts

'U' of John the Baptist, measuring 85 x 80 mm (upper left). Italian cuttings.The present cuttings are bound in an album with Add. 18196, ff. 2-44, 49-51, 56-60, and 65-90. To see these cuttings in the Manuscripts Reading Room order

• Drawing of the Dry Tree, and a king., Voyage d'outre mer in Middle English

of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John

• Drawings of two kings., Voyage d'outre mer in Middle English

of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John

• Drawing of the River Jordan., Voyage d'outre mer in Middle English

of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John

• null, Voyage d'outre mer in Middle English

of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John

• Compass of the world., Voyage d'outre mer in Middle English

of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John

• Detail of a marginal drawing of a man., Voyage d'outre mer in Middle English

of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John

• null, Voyage d'outre mer in Middle English

of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John

• null, Voyage d'outre mer in Middle English

of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John

• Miniature of a standing John Chrysostom., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

a standing John Chrysostom. 2 full-page miniatures in colours and gold of standing saints (ff. 2v, 21v ). 3 large historiated headpieces in colours and gold (ff. 3, 22, 49). Large historiated initials in colours and gold (ff. 3, 6,

• Decorated initial 'I'(n)., Voyage d'outre mer in Middle English

of a vessel, 15th-16th century (ff. 14v, 17v).Inscribed names of some members of the Osborne family: Harry, William, Anthony, Raff, John, and Thomas, 16th century? (f. 2).Edward Banister, recusant and patron of the arts, inscribed with his name (f. 1).John

• Illuminated initial., Breviary, Use of York (fragment), with a calendar (ff. 2-7v)

Viscount Fauconberg (between 1718 and 1774: his heraldic book-plate (inside upper cover). John Jackson, 19th century: inscribed his name (1st flyleaf).Bought by the British Museum from Rev. John C. Jackson, 8 December 1866 (note on 1st flyleaf), using the Farnborough

• Text page with initial 'A'(nd) and decorated catchword., Gospel of John, in the later Wycliffite version

an illuminated initial on ff. v verso and 1. Plain red Initials. Decorated catchwords. Gospel of John, in the later Wycliffite version Rev. John Price (b. c.1694 d. 1751): 'Johannes Price A.M. / Rector de Orleston 1727 / Vicarius de

• Decorated headpiece and initial 'P'(anti) in John Chrysostom's commentary In Ioannem., Homilies on John (index In Ioannem), imperfect

initial 'P'(anti) in John Chrysostom's commentary In Ioannem. 5 patterned headpieces in red and black (ff. 38, 74v, 78, 91v, 310). Numerous patterned or linear headpieces in red. Large initials in red with penwork decoration, a few also with black

• Initial including heraldic arms, and a full border with roses and portcullises alternately placed, at the beginning of the indenture., Indenture between Lady Margaret Beaufort, countess of Richmond, and John Islip, abbot of Westminster abbey

and John Islip, abbot of Westminster abbey ? Lady Margaret Beaufort (b. 1443, d. 1509), countess of Richmond and Derby, mother of Henry VII (b. 1457, d. 1509): arms of the earldom of Richmond (f. 3); ? or ? John

• Full-page frame with interlace, and illuminated initial 'I(n) with bird heads, at the beginning of John., Gospels of Luke and John, with prologue, table of chapters, and lections for the year (ff. 104v-111v)

'I(n) with bird heads, at the beginning of John. The shelfmark 'AII' and the title on the fore-edge in Latin in black ink and '3' on the top edge of the leaves. Matthew and Mark were presumably 'AI'. 4 full-page

• Decorated initial 'H'(ic) at the beginning of the preface to John, with coloured letters., Gospels, with the Epistle to Damasus, Canon tables, and prefaces, imperfect

to John, with coloured letters. This manuscript is part of the 'Irish-Northumbrian' group with the sigla 'DELQR', and is designed 'E': see Marsden 1999 p. 290 and n. 25. 2 full page miniatures of Evangelist portraits of Mark and John

• Zoomorphic word 'IN' with bird heads and interlace, at the beginning of John., Gospels, with the Epistle to Damasus, Canon tables, and prefaces, imperfect

beginning of John. This manuscript is part of the 'Irish-Northumbrian' group with the sigla 'DELQR', and is designed 'E': see Marsden 1999 p. 290 and n. 25. 2 full page miniatures of Evangelist portraits of Mark and John (ff. 45v,

• Illuminated initial 'A'(d honorem) at the beginning of John Somer's preface., Astronomical Calendar

Illuminated initial 'A'(d honorem) at the beginning of John Somer's preface. Part 2 contains a preface by John Somer (ff. 1-2v), and a calendar (ff. 3v-9). The Psalter section (Part 1) includes a litany (ff. 138-143) and the Office of

• Decorated initial 'H'(unc) with the John Beaver's initials, 'IB', in gold, at the start of the inscription, stating that Lord John Beaver, monk of St. Albans, had the manuscript made, and that with the permission of John Whethamstede, the abbot (1420-1440), he has given it to God, the Virgin Mary, and the church of St. Alban. This is followed by an anathema and a list of the contents., Liber de exemplis sacre scripture; Commentary on Wisdom; Commentary on Proverbs; Commentary on Ecclesiasticus

initial 'H'(unc) with the John Beaver's initials, 'IB', in gold, at the start of the inscription, stating that Lord John Beaver, monk of St. Albans, had the manuscript made, and that with the permission of John Whethamstede, the abbot (1420-1440),