• The Assumption and Mary as Queen of Heaven

my flour. Not in Index. MS: Bodl. 17680 (Gough Eccl. Top. 4), fol. 128b (c. 1425). The verses occur in John Mirk's sermon De Assumpcione Beate Marie as dialogue in his narrative of the Assumption. Editions: T. Erbe, Mirk's Festial,

• Codex Ashmole 61: Item 8, Dame Courtesy

8 refer to two episodes in Luke 1:26–55: the Annunciation and the encounter between Mary and Elizabeth, the mother of John the Baptist. A source for the claim that these moments provide an origin for human courtesy has not been

• The York Corpus Christi Plays: Introduction

copied by Scribe A. Scribe B, the main scribe, entered the remainder with the exception of the sixteenth-century additions by John Clerke (Scribe C) and the very inferior late addition (not included in the present edition) to the Innholders’ pageant,

• The York Corpus Christi Plays: Play 2, The Creation through the Fifth Day

which only led to the establishment of a kingdom of darkness in the void that is entered through hellmouth. See John 1:1: “In the beginning was the Word, and the Word was with God, and the Word was God.” 41–42

• The York Corpus Christi Plays: Play 7, Sacrificium Cayme et Abell

an ass,1 as in otherwise heavily restored glass at York Minster.2 The two leaves were lost by the time of John Clerke, who added the Brewbarret episode in his distinctive sixteenth-century hand (lines 73–99). For further comment, see RB, p.

• Caxton, The Game and Playe of the Chesse, Book Two

agayn, done and acted against. 526 flayn, flayed. 529 feet, deed; after, afterwards. 531 feste of Saynt John, the Feast of Saint John (usually held in midsummer on June 24). 533 in aventure, at risk. 534 doubted, feared. 535 Syryens

• Lydgate, The Siege of Thebes: Tercia Pars

frame of The Canterbury Tales (I[A]769-818). 143-44 Marginalia: ¶ How oure Host spak to Daun John. 164-66 Marginalia: ¶ How oure Host bad Daun John telle a tale. 165 jape. The term means both a trick and a joke. In

• Audelay, Meditative Close

to an Augustinian canon named John Barker in Launde, Leicestershire. These transactions likely took place in the fifteenth century. On fol. 35v, which looks like an original outside cover of the book, the name "John" appears many times amid doodles

• Audelay, Meditative Close

to an Augustinian canon named John Barker in Launde, Leicestershire. These transactions likely took place in the fifteenth century. On fol. 35v, which looks like an original outside cover of the book, the name "John" appears many times amid doodles

• Audelay, Meditative Close

to an Augustinian canon named John Barker in Launde, Leicestershire. These transactions likely took place in the fifteenth century. On fol. 35v, which looks like an original outside cover of the book, the name "John" appears many times amid doodles

• Audelay, Meditative Close

to an Augustinian canon named John Barker in Launde, Leicestershire. These transactions likely took place in the fifteenth century. On fol. 35v, which looks like an original outside cover of the book, the name "John" appears many times amid doodles

• Audelay, Meditative Close

to an Augustinian canon named John Barker in Launde, Leicestershire. These transactions likely took place in the fifteenth century. On fol. 35v, which looks like an original outside cover of the book, the name "John" appears many times amid doodles

• Audelay, Meditative Close

to an Augustinian canon named John Barker in Launde, Leicestershire. These transactions likely took place in the fifteenth century. On fol. 35v, which looks like an original outside cover of the book, the name "John" appears many times amid doodles

• Audelay, Meditative Close

to an Augustinian canon named John Barker in Launde, Leicestershire. These transactions likely took place in the fifteenth century. On fol. 35v, which looks like an original outside cover of the book, the name "John" appears many times amid doodles

• Audelay, Meditative Close

to an Augustinian canon named John Barker in Launde, Leicestershire. These transactions likely took place in the fifteenth century. On fol. 35v, which looks like an original outside cover of the book, the name "John" appears many times amid doodles

• Audelay, Meditative Close

to an Augustinian canon named John Barker in Launde, Leicestershire. These transactions likely took place in the fifteenth century. On fol. 35v, which looks like an original outside cover of the book, the name "John" appears many times amid doodles

• Audelay, Meditative Close

to an Augustinian canon named John Barker in Launde, Leicestershire. These transactions likely took place in the fifteenth century. On fol. 35v, which looks like an original outside cover of the book, the name "John" appears many times amid doodles

• Ecce patet tensus

note) (see note) (see note) (see note) (see note) Go To Rex celi deusJohn Gower: The Minor Latin Works, Notes JOHN GOWER, THE MINOR LATIN WORKS: NOTES ABBREVIATIONS: CA: Gower, Confessio Amantis; CB: Gower, Cinkante Ballades; Cronica: Gower, Cronica Tripertita;

• Henryson, Complete Works: Appendix

emphasis on witchcraft, however, this tale recalls the dying earl of Angus’ celebratedly godly rebuff of a seemingly helpful wizard (John Spottiswood, The History of the Church of Scotland [London: Flesher, 1655], p. 372; David Hume of Godscroft’s History of

• The Antifeminist Tradition: Introduction

for both Shakespeare's deft treatment of this genre in Sonnet 130, "My mistress' eyes are nothing like the sun," and John Donne's Elegie II: The Anagram.11 The author of O Mosy Quince, inspired perhaps by the proverbial adage that wine,