• Preface and beginning of Luke's gospel with decorated initial 'Q'(uoniam) enclosing a flower., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Coloured initials., Fragment from a Missal, on parchment, which was possibly a gift of bishop Leofric according to unpublished notes of Michael Gullick

unpublished notes): other fragments from the same manuscript can be found in Add. 62104, Oxford, Bodleian Library, Lat. Liturg. e.38; London, Westminster Abbey, 36/17-19, and two flyleaves in Lincoln, Cathedral, V.5.11 (see Rankin 1984, Ker and Watson 1987, Gameson 1996).

• Text page with initials, marginal notes and ink drawing of a pitcher., De fide orthodoxa

(see: W. H. James Weale, ~Bookbindings and Rubbings of Bindings in the National Art Library, South Kensington Museum~, 2 vols (London: Eyre and Spottiswoode, 1894), p. 222, no. 519.) The reference to this MS. of no. 498 in the same

• Historiated initial 'T'(his) of Henry VII giving the manuscript to a group of monks, with full bar border with the arms of England., Quadripartite Indenture for Henry VII's Chapel

the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Henry VII England, S. E. (London)

• Detail of an historiated initial 'T'(his) of Henry VII giving the manuscript to a group of monks, with full bar border with the arms of England., Quadripartite Indenture for Henry VII's Chapel

the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Henry VII England, S. E. (London)

• Large initials, some with zoomorphic pen-flourishing, and a marginal drawing of a dog? and a human half-bust figure, in the Sermones de quadragesima., Sermones de quadragesima (imperfect)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Decorated interlace initial 'I'(n) with two bird heads, at the beginning of the Gesta regum Francorum., Gesta regum Francorum, and other histories

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: 'XIII:9.1, f .[iii]).Purchased by the British Museum from the Royal Society of London together with

• Initial 'I'(ncipit), with a change of script, and possibly scribe., Gesta regum Francorum, and other histories

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: 'XIII:9.1, f .[iii]).Purchased by the British Museum from the Royal Society of London together with

• Decorated interlace initial 'I'(n) with two bird heads, at the beginning of the Gesta regum Francorum., Gesta regum Francorum, and other histories

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: 'XIII:9.1, f .[iii]).Purchased by the British Museum from the Royal Society of London together with

• Detail of a decorated initial 'I'(ncipit)., Gesta regum Francorum, and other histories

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: 'XIII:9.1, f .[iii]).Purchased by the British Museum from the Royal Society of London together with

• Historiated initial 'R'(everendo) with Christ in Majesty holding a book, at the beginning of Guillelmus Durandus's Speculum juris., Speculum juris

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; its book-plate, with the pencil inscription: 'XIII.9.19').Purchased by the British Museum from the Royal Society of London together with 549

• Historiated initial 'F'(ormavit) with a bishop(?) holding a book, at the beginning of Book 4 of Guillelmus Durandus's Speculum juris., Speculum juris

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; its book-plate, with the pencil inscription: 'XIII.9.19').Purchased by the British Museum from the Royal Society of London together with 549

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.

• null, Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours (f.