• Detail of a pen drawing depicting a group of men, one holding a scroll, from an illustration of Psalm 110., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

text is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2

• Detail of a pen drawing illustrating Psalm 111., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Pen drawing illustrating Psalm 111., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings

• Detail of a pen drawing illustrating Psalm 113., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 117., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 122., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Pen drawings illustrating Psalms 123 and 124., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Pen drawings illustrating Psalm 125, with a decorated initial 'Q'(ui confidunt in Domino) and a decorated initial 'I'(n convertendo Dominus)., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

text is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2

• Pen drawings illustrating Psalms 126 and 127., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 131., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 133., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Pen drawing illustrating Psalm 136., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings

• Marginal drawing of travellers, speaking In English, in the margin of Jacobus de Voragine's life of Cecila., Legenda aurea (index Legendae sanctorum; Legends of the saints; Golden Legend)

2nd baronet, antiquary, in 1626: signature and note that he purchased the manuscript from a bookseller ('librario publico'), in Aldersgate, London, 1626 (f. 245); probably his ink foliation throughout.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos,

• Pen drawings illustrating Psalms 13 and 14., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Title and initial in display capitals at the beginning of Cicero 'Orationes in Catilinam'., Works, including 'Epistolae ad Familiares' (ff. 1v-51v), 'Philippics' (index Philippicae) (ff. 71-113), 'Ciceronis in Sallustium et invicem invectivae' (ff. 113-114v), 'Orationes in Catilinam' (ff. 115-125v), 'In Verrem actio II' (ff. 159v-164v), and 'De officiis' (ff. 164v-180')

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Titles and initials in display capitals., 'Vitae' (f. 1v), 'De consolatione philosophiae', Books 1-5, with glosses (ff. 2v-110v), 'Opuscula sacra', Books 1-4, imperfect, with glosses (ff. 113v-149v)

Düsseldorf: possibly bought with the entire Graevius library in 1703 (see Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text pages., 'Vitae' (f. 1v), 'De consolatione philosophiae', Books 1-5, with glosses (ff. 2v-110v), 'Opuscula sacra', Books 1-4, imperfect, with glosses (ff. 113v-149v)

Düsseldorf: possibly bought with the entire Graevius library in 1703 (see Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text pages., 'Vitae' (f. 1v), 'De consolatione philosophiae', Books 1-5, with glosses (ff. 2v-110v), 'Opuscula sacra', Books 1-4, imperfect, with glosses (ff. 113v-149v)

Düsseldorf: possibly bought with the entire Graevius library in 1703 (see Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text page., 'Vitae' (f. 1v), 'De consolatione philosophiae', Books 1-5, with glosses (ff. 2v-110v), 'Opuscula sacra', Books 1-4, imperfect, with glosses (ff. 113v-149v)

Düsseldorf: possibly bought with the entire Graevius library in 1703 (see Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text page., 'Vitae' (f. 1v), 'De consolatione philosophiae', Books 1-5, with glosses (ff. 2v-110v), 'Opuscula sacra', Books 1-4, imperfect, with glosses (ff. 113v-149v)

Düsseldorf: possibly bought with the entire Graevius library in 1703 (see Wright 1972). Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought