• Miniature of a Zodiac man, with signs of the Zodiac signs marked on his body., Medical miscellany, including an astronomical calendar

the subsequent provenance suggests an origin in London.? John Smith, London, 16th century: a memorandum records that '… I, John Fysh(?), Dyer of London doythe owe unto John Smith of London cloth worker the some of 2s xd …' (f.

• Volvelle with three moving parts representing the zodiac, the sun, and the moon, and showing their relative positions and the moon's phases, and astronomical diagram., Medical miscellany, including an astronomical calendar

the subsequent provenance suggests an origin in London.? John Smith, London, 16th century: a memorandum records that '… I, John Fysh(?), Dyer of London doythe owe unto John Smith of London cloth worker the some of 2s xd …' (f.

• Marginal drawing of diseased genitals., Treatise on Surgery, with tables and calendar

tables and calendar Former shelfmark (?) 'XVC' (f. 1).Charles White, London barber-surgeon in 1532, written by Nicholas Browne: inscription 'compylyd y me Charles Whytte Cittezen and Barboure Cirurgyon of london And Wrytton by the hande of Nycholas Browne the vj

• Marginal drawing of diseased genitals., Treatise on Surgery, with tables and calendar

tables and calendar Former shelfmark (?) 'XVC' (f. 1).Charles White, London barber-surgeon in 1532, written by Nicholas Browne: inscription 'compylyd y me Charles Whytte Cittezen and Barboure Cirurgyon of london And Wrytton by the hande of Nycholas Browne the vj

• Marginal drawing of diseased genitals and a knife., Treatise on Surgery, with tables and calendar

tables and calendar Former shelfmark (?) 'XVC' (f. 1).Charles White, London barber-surgeon in 1532, written by Nicholas Browne: inscription 'compylyd y me Charles Whytte Cittezen and Barboure Cirurgyon of london And Wrytton by the hande of Nycholas Browne the vj

• Headpiece with a woven pattern and decorated initials 'H' and 'M' at the beginning of Hesiod's Works and Days, and the ink stamp of the Royal Society, London in the right margin., Works and Days, with interlinear and marginal Triclinian scholia, and Theogony

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond. / ex dono HENR. HOWARD / Norfolciensis', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of a marginal drawing of a standing woman., Treatise on Surgery, with tables and calendar

tables and calendar Former shelfmark (?) 'XVC' (f. 1).Charles White, London barber-surgeon in 1532, written by Nicholas Browne: inscription 'compylyd y me Charles Whytte Cittezen and Barboure Cirurgyon of london And Wrytton by the hande of Nycholas Browne the vj

• Detail of a marginal drawing., Treatise on Surgery, with tables and calendar

tables and calendar Former shelfmark (?) 'XVC' (f. 1).Charles White, London barber-surgeon in 1532, written by Nicholas Browne: inscription 'compylyd y me Charles Whytte Cittezen and Barboure Cirurgyon of london And Wrytton by the hande of Nycholas Browne the vj

• Detail of a marginal drawing of a container and bowl (?)., Treatise on Surgery, with tables and calendar

tables and calendar Former shelfmark (?) 'XVC' (f. 1).Charles White, London barber-surgeon in 1532, written by Nicholas Browne: inscription 'compylyd y me Charles Whytte Cittezen and Barboure Cirurgyon of london And Wrytton by the hande of Nycholas Browne the vj

• Detail of a marginal drawing., Treatise on Surgery, with tables and calendar

tables and calendar Former shelfmark (?) 'XVC' (f. 1).Charles White, London barber-surgeon in 1532, written by Nicholas Browne: inscription 'compylyd y me Charles Whytte Cittezen and Barboure Cirurgyon of london And Wrytton by the hande of Nycholas Browne the vj

• Detail of a marginal drawing of a tonsured man., Treatise on Surgery, with tables and calendar

tables and calendar Former shelfmark (?) 'XVC' (f. 1).Charles White, London barber-surgeon in 1532, written by Nicholas Browne: inscription 'compylyd y me Charles Whytte Cittezen and Barboure Cirurgyon of london And Wrytton by the hande of Nycholas Browne the vj

• Detail of calligraphic specimens with decorated initial 'O' signed by Petruccio Ubaldini, dated 1550, and dedicated to Edward VI (in the fourth year of his reign)., Specimens of Calligraphy

Gilson 1921).In the catalogue of 1666, Royal Appendix 71, f. 42, no, 3.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Calligraphic specimens Petruccio Ubaldini Petruccio Ubaldini London England, S. E. (London)

• Miniature of the Immaculate Conception and of Henry VII kneeling, with a trompe l'oeil border, and an illuminated large initial with the royal coat of arms., Proper of the Mass for the Immaculate Conception

Conception in London (founded in 1503): another manuscript suggesting Henry VII's connection with this confraternity is Oxford, Christ Church Ms. 179, containing a petition to the king requesting permission to establish a confraternity for French residents in London and its

• Detail of a miniature of the Immaculate Conception and of Henry VII kneeling., Proper of the Mass for the Immaculate Conception

Conception in London (founded in 1503): another manuscript suggesting Henry VII's connection with this confraternity is Oxford, Christ Church Ms. 179, containing a petition to the king requesting permission to establish a confraternity for French residents in London and its

• Text of a prayer mentioning Henry VII; ‘ut rex noster Henricus sep/timus…’., Proper of the Mass for the Immaculate Conception

Conception in London (founded in 1503): another manuscript suggesting Henry VII's connection with this confraternity is Oxford, Christ Church Ms. 179, containing a petition to the king requesting permission to establish a confraternity for French residents in London and its

• Historiated initial 'C' of the Vision of Ezechiel. On the reverse, two four-line red staves, musical notation and text '...ue sub ipso /…le bant'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

1800; Cambridge, Fitzwilliam Museum, Marlay Cuttings It 19; Lille, Musée des Beaux-Arts, inv. PL 708; London, Victoria and Albert Museum, ms. 1005 n. 4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection,

• Historiated initial 'C' of Helen praying before the Cross. On the reverse, two four-line red staves, musical notation and text '...cut docuit /…lo'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

1800; Cambridge, Fitzwilliam Museum, Marlay Cuttings It 19; Lille, Musée des Beaux-Arts, inv. PL 708; London, Victoria and Albert Museum, ms. 1005 n. 4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection,

• Historiated initial 'O' of a funeral with a saint burying a man. On the reverse, two four-line red staves, musical notation and text '…meoru[m] neq[ue] /…as de pecca'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

1800; Cambridge, Fitzwilliam Museum, Marlay Cuttings It 19; Lille, Musée des Beaux-Arts, inv. PL 708; London, Victoria and Albert Museum, ms. 1005 n. 4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection,

• Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London. Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. David Master of Mary of Burgundy

• Page of music on the verso of the folio., Leaf from a Gradual

1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London. Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Music Master of Mary of Burgundy