• Miniature of noblemen riding towards a city with prince Humphrey receiving the news of his father's illness., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in

• Detail of a miniature of the Turkish army with its baggage train leaving a Sicilian city., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in

• Miniature of Iolante of Sicily being offered to Philip of France; the wedding of Philip and Iolante., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

is written on paper. This section of the manuscript is not illuminated.Ruled in ink.The same artist painted the miniatues in London Lambeth Palace 265, dated by its scribe to 1477 (according to Scot, 1996, no. 125). 4 half-page miniatures in

• Detail of miniature of knights and ladies riding to a London tournament., Chroniques, Vol. IV, part 1 (the 'Harley Froissart')

and ladies riding to a London tournament. Vol. IV, part 2 is Harley 4380. 11 large miniatures with large decorated initials and full foliate borders including hybrid figures and birds, in colours and gold (ff. 3, 23v, 34, 43, 60v,

• Detail of miniature of knights and ladies riding to a London tournament., Chroniques, Vol. IV, part 1 (the 'Harley Froissart')

and ladies riding to a London tournament. Vol. IV, part 2 is Harley 4380. 11 large miniatures with large decorated initials and full foliate borders including hybrid figures and birds, in colours and gold (ff. 3, 23v, 34, 43, 60v,

• Historiated initial 'R'(esurrexi) with the Resurrection, and border roundels with the Maries at the sepulchre, and the 'Noli me tangere'; angels supporting heraldic arms to the left of the initial, in a Missal., Missal

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.1.2’, f. [v]).Purchased by the British Museum from the Royal Society of London together with

• Initials with pen-flourishing, in Bartolus de Saxoferrato's Super tribus libris postremis codicis Justiniani., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of David in Prayer, and a full trompe l'oeil border, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3v; the pencil inscription: ‘XIII.10.2’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549

• Initials and three-sided foliate border at the beginning of None in the Hours of the Virgin., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of Christ before Pilate, foliate initial 'D'(eus), and full foliate border, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of the Flagellation, foliate initial 'D'(eus), and full foliate border, at the beginning of Sext in the Hours of the Virgin., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of the Crucifixion, foliate initial 'D'(eus), and full foliate border, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of the Entombment, foliate initial 'C'(onverte), and full foliate border, at the beginning of Compline in the Hours of the Virgin., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of a funeral service, and full foliate border, at the beginning of the Office of the Dead., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Historiated initial 'O' (Domine) with the Resurrection, and full foliate border, at the beginning of a prayer to Our Lord., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Initial 'O'(bsecro) with the arms of the Hamelden family, and full foliate border, at the beginning of a prayer to the Virgin., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of the Virgin and Child, and full foliate border, at the beginning of a prayer to the Virgin., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of the Trinity, and full foliate border, at the beginning of a prayer to the Trinity., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Foliate initial 'D'(omine) with the symbol of the Trinity, and full foliate border, at the beginning of a prayer to the Trinity., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of Veronica and her veil, zoomorphic initial 'S'(alve), and full foliate border, at the beginning of a prayer to the Holy Face., Book of Hours, Use of Sarum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in