• Anthropomorphic initial with a man., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Zoomorphic initial with a siren., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Headpiece and decorated initial with a hand., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Zoomorphic initial with a siren., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Foliate and geometric headpiece enclosing the title, and anthropomorphic initial with legs and an arm at beginning of a reading from the Gospel of Luke., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Decorated headpiece and initial., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Text page., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Headpiece with geometric pattern., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Decorated headpiece and initial, and marginal drawing., Gospel Lectionary, imperfect

Porte, from the year 1621 to 1628 inclusive~ (London: Samuel Richardson, 1740), p. 500).Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London: its ink stamp 'Soc. Reg. Lond. /

• Detail of decorated initials., Super tribus libris postremis codicis Justiniani, etc., with glosses; and other works

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of the miniature of the Martyrdom of Blaise., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• Montage composed of a miniature of the Assumption of the Virgin above the inscription 'Assumpta Est Maria' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and a yoke with motto 'Suave', two prophets in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici device of the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• Montage composed of a miniature of the Martyrdom of Blaise surmounted by two Medici devices of a yoke with motto 'Suave' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, and two sibyls in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici 'Candor Illesus' device, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• Historiated initial 'M' of the Calling of Peter and Andrew., Cutting from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335; Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una

• Detail of a miniature of Paul writing an epistle, with a messenger waiting to carry it for him, and with John Colet, kneeling, with the full border including flowers, insects and a peacock, and a foliate initial 'P'(aulus) at the beginning of Romans., Pauline and Catholic Epistles in the Vulgate and Erasmian (~Novum Instrumentum~) versions

ac Serenissimi Re/gis Anglie Henrici Septimi vigesimo s[e]c[un]do. / ...'(vol. II, f. 358v). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Paul Pieter Meghen Pieter Meghen London England, S. E (London)

• Historiated and foliate initial 'G' of the Assumption of the Virgin. The Virgin, supported by six seraphim, lowers her girdle to Thomas, who kneels with the other apostles by the empty bed., Cutting from a choir book

eighth day (6 May 1856) of the sale by Tiffin for £1 10s. Walter Benjamin Tiffin (b. 1795, d. 1877), London art dealer and publisher: purchased from him by the Department of Prints and Drawings of the British Museum on

• Historiated and foliate initial 'O' of Christ blessing Peter, with bezants and floral motifs in the margin., Cutting from a choir book

by her soon after World War II through her brother, Tomás Harris, managing director of the Spanish Art Gallery in London. Accepted by HM Treasury in lieu of inheritance tax from the estates of Miss Violeta Harris and her sister,

• A border with a bar of burnished gold decorated with leaves, floral forms, an urn, and bezants, measuring 360 x 45 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• A border with a bar of burnished gold decorated with leaves, floral forms, urns, and bezants, measuring 360 x 45 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• A border with a bar of burnished gold decorated with leaves, floral forms, urns, horns and bezants, measuring 360 x 35 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The