• A border with a bar of burnished gold decorated with leaves, floral forms, an urn, and bezants, measuring 360 x 40 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• A border with a bar of burnished gold decorated with leaves, floral forms, an urn, and bezants, measuring 360 x 40 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• A border with a bar of burnished gold decorated with leaves, floral forms, an urn, bezants, and an anthropomorphic head, measuring 360 x 45 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• Section of border with floral motifs, bezants and two zoomorphic heads. Remnants of illumination visible on reverse, measuring 40 x 175 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• Section of border with floral motifs and bezants, measuring 70 x 175 mm. Similar decoration visible on reverse., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• Section of border with floral motif, an urn and bezants, measuring 65 x 170 mm. Similar decoration visible on the reverse., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• Section of border with floral motifs and bezants. Similar decoration visible on reverse, measuring 35 x 170 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• Miniature of putti celebrating the name of Christ with the IHS monogram within an aureole flanked by musicians seated on clouds, and with a group of dancing figures below., Leaves from a liturgical manuscript

below. In f. B the figures are all female. Leaves from a liturgical manuscript Samuel Woodburn (b. 1785/6, d. 1853), London art dealer: his sale, 16 June 1854, lot 1635: purchased by the Department of Prints and Drawings of the

• Miniature of female putti celebrating the name of the Virgin, with the MAR monogram within an aureole flanked by musicians seated on clouds, and below a group of dancing female figures., Leaves from a liturgical manuscript

below. In f. B the figures are all female. Leaves from a liturgical manuscript Samuel Woodburn (b. 1785/6, d. 1853), London art dealer: his sale, 16 June 1854, lot 1635: purchased by the Department of Prints and Drawings of the

• Full-page decoration at the beginning of a ~piyyut~ (liturgical poem) for Yom Kippur (Davidson vol. 1, no. 2106). The text of the poem is surrounded by an architectural frame with towers on both sides and with columns held by lions. The upper section of the frame is scallopped and is flanked by a dragon and a hybrid., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

42) 5 decorated catchwords (ff. 69v, 77v, 84v, 90v, 98v). Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor') Hayyim, the scribe: the word ~hayyim~ is decorated on ff. 10, 31, 37v, 67, 103v,

• Historiated initial with the presentation of an astrological textbook to King Henry VII, with the bishop and presenter of the book pointing to the stars, and an illuminated initial 'P'(ost), and floral scatter border with a bird in the lower margin, at the beginning of the Tractatus de revolutionibus in Guido Bonatti's ~Liber astronomiae~., Almagest (extract), Liber Astronomiae, Liber Arenalis, astronomical and geomantic tables, political prophecies

inscribed 'Gresham' (f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Henry VII Master of 1482 John Killingworth, Ptolemy, Guido Bonatti, Plato of Tivoli London England, S. E. (London)

• Miniature of the dragon constellation ('Draco'), in tables from Ptolemy's Almagest., Almagest (extract), Liber Astronomiae, Liber Arenalis, astronomical and geomantic tables, political prophecies

College: inscribed 'Gresham' (f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Dragon Master of 1482 John Killingworth, Ptolemy, Guido Bonatti, Plato of Tivoli London England, S. E. (London)

• Miniatures of Cephus (the King) and Boetes (Ploughman or Bear-Hunter), in tables from Ptolemy's Almagest. The tables give the locations of constellations at different times of the year., Almagest (extract), Liber Astronomiae, Liber Arenalis, astronomical and geomantic tables, political prophecies

'Gresham' (f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Cephus and Boetes Master of 1482 John Killingworth, Ptolemy, Guido Bonatti, Plato of Tivoli London England, S. E. (London)

• Detail of a historiated initial with the presentation of an astrological textbook to Henry VII., Almagest (extract), Liber Astronomiae, Liber Arenalis, astronomical and geomantic tables, political prophecies

inscribed 'Gresham' (f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Henry VII Master of 1482 John Killingworth, Ptolemy, Guido Bonatti, Plato of Tivoli London England, S. E. (London)

• Detail of illuminated initial and border with red and white roses., Almagest (extract), Liber Astronomiae, Liber Arenalis, astronomical and geomantic tables, political prophecies

College: inscribed 'Gresham' (f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Border Master of 1482 John Killingworth, Ptolemy, Guido Bonatti, Plato of Tivoli London England, S. E. (London)

• Detail of a miniature of the dragon constellation ('Draco'), in tables from Ptolemy's Almagest., Almagest (extract), Liber Astronomiae, Liber Arenalis, astronomical and geomantic tables, political prophecies

College: inscribed 'Gresham' (f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Dragon Master of 1482 John Killingworth, Ptolemy, Guido Bonatti, Plato of Tivoli London England, S. E. (London)

• Detail of a miniature of Cephus (the King) in tables from Ptolemy's Almagest., Almagest (extract), Liber Astronomiae, Liber Arenalis, astronomical and geomantic tables, political prophecies

College: inscribed 'Gresham' (f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Cephus Master of 1482 John Killingworth, Ptolemy, Guido Bonatti, Plato of Tivoli London England, S. E. (London)

• Detail of a miniature of Boetes (Ploughman or Bear-Hunter), in tables from Ptolemy's Almagest., Almagest (extract), Liber Astronomiae, Liber Arenalis, astronomical and geomantic tables, political prophecies

College: inscribed 'Gresham' (f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Boetes Master of 1482 John Killingworth, Ptolemy, Guido Bonatti, Plato of Tivoli London England, S. E. (London)

• A zoomorphic and historiated initial 'P' (the descender cropped) in colours and gold, of David and in the margin the prophet Isaiah seated, an anthropomorphic female figure, peacocks, putti, garlands, flowers and cornucopiae., Cutting from service books of Pope Innocent VIII

no. 29e) and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 35254H, Add. 60630, ff. 13-18, 39-42, London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• A section of foliate border with a bar of burnished gold decorated with leaves, flowers, a scroll and bezants, measuring 345 x 50 mm (at left of image)., Cutting from service books of Pope Innocent VIII

no. 29e) and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 35254H, Add. 60630, ff. 13-18, 39-42, London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The