• Explicit ot Pseudo-Seneca's Tractatus de quatuor virtutibus., Tractatus de quatuor virtutibus, and other grammatical texts

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Flourished initials, at the beginning of the Tabula theologie., Tabula theologie

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; with its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

• Puzzle initial and flourished initial, at the beginning of the Tabula theologie., Tabula theologie

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; with its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

• Diagram and coloured drawing of Tables of Consanguinity and Affinity with a king and a queen, added at the end of the Tabula theologie., Tabula theologie

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; with its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

• Coloured drawing of Tables of Consanguinity and Affinity with a king and a queen, added at the end of the Tabula theologie., Tabula theologie

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; with its book-plate, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other

• Decorated initial 'X' with an abbreviated form of Christ's name, 'Xpi' at the beginning of Matthew 1.18., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• A frame with five roundels and interlace panels (probably intended for a 'Christ in Majesty' miniature)., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Calendar with manumissions written on the outer edge of the page., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with decorated initial 'N'(ovum)., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables with decoration., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Canon tables with Bodmin manumissions., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Decorated initials 'IN' with 'I' forming interlace pattern borderat the beginning of Mark's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Decorated initial 'Q'(uoniam) enclosing a flower at the beginning of Luke's gospel., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Text page with rubric in capitals at the beginning of the Gospel of John., Bodmin Gospels (St Petroc Gospels); records of grants of manumission in Old English and Latin added on blank leaves and in margins (ff. 1, 8, 13, 141)

outline for a Christ in Majesty composition, as in the Landevennec gospels (see Wormald 1977).X-rays of both boards are in London, British Library Manuscript Facsimile 800. Decorated canon tables in brown and red (ff. 12v-13). A frame with five roundels,

• Historiated initial 'M' of the Calling of Peter and Andrew., Cutting from a choir book

(see ~Miniature dell'Italia Settentironale nella Fondzione Giorgio Cini~, ed. by Giordana Mariani Canova (Vicenza: Neri Pozza, 1978), cat. nos. 108a-d); London, Wallace Collection, M325-M326, and M333-M335; Los Angeles, J. Paul Getty Museum, Ms. 104 (2009.51); Milan, Longari collection, (see ~Una

• Detail of a miniature of Paul writing an epistle, with a messenger waiting to carry it for him, and with John Colet, kneeling, with the full border including flowers, insects and a peacock, and a foliate initial 'P'(aulus) at the beginning of Romans., Pauline and Catholic Epistles in the Vulgate and Erasmian (~Novum Instrumentum~) versions

ac Serenissimi Re/gis Anglie Henrici Septimi vigesimo s[e]c[un]do. / ...'(vol. II, f. 358v). Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Paul Pieter Meghen Pieter Meghen London England, S. E (London)

• Historiated and foliate initial 'G' of the Assumption of the Virgin. The Virgin, supported by six seraphim, lowers her girdle to Thomas, who kneels with the other apostles by the empty bed., Cutting from a choir book

eighth day (6 May 1856) of the sale by Tiffin for £1 10s. Walter Benjamin Tiffin (b. 1795, d. 1877), London art dealer and publisher: purchased from him by the Department of Prints and Drawings of the British Museum on

• Historiated and foliate initial 'O' of Christ blessing Peter, with bezants and floral motifs in the margin., Cutting from a choir book

by her soon after World War II through her brother, Tomás Harris, managing director of the Spanish Art Gallery in London. Accepted by HM Treasury in lieu of inheritance tax from the estates of Miss Violeta Harris and her sister,

• Decorated headpiece at the beginning of Hermogenes's Peri ton staeon., Peri ton stason, Peri eureseon, Peri ideon logou, with prologues, and various notes, proverbs, and verses

his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7909): his London sale, 2 March 1789, lot 1281, bought by Burney. Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by

• null, Commentaria in Epistolas beati Pauli

pp. 1-24, reprinted in N. R. Ker, ~Books, Collectors and Libraries: Studies in the Medieval Heritage~, ed. A. G. Watson (London and Ronceverte, 1985), pp. 471-96; the present manuscript cited with the siglum 'P. 8.'Charles Burney (b. 1757, d. 1817),