• Historiated initial 'D' of a turbaned man with an architectural background in monochrome (lower centre)., Cuttings from a choir book

Esq. dispersed / in 1838' (f. i).Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;

• Historiated initial 'E' of a king praying (top)., Cuttings from a choir book

Esq. dispersed / in 1838' (f. i).Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;

• Historiated initial 'D' of the prophet Ezechiel holding a scroll inscribed 'Zachiel Profecta' (centre)., Cuttings from a choir book

Esq. dispersed / in 1838' (f. i).Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;

• Historiated initial 'L' of Barnabas holding a scroll inscribed 'Barnabas [Prof]ecta' (bottom)., Cuttings from a choir book

Esq. dispersed / in 1838' (f. i).Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;

• Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London. Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. David Master of Mary of Burgundy

• Detail of the last 4 staves of music and an inscription., Leaf from a Gradual

1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London. Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Music Master of Mary of Burgundy

• Miniature of a view of London with the Tower Bridge and the Tower of London with duke Charles inside writing his poems, with a full border containing the royal arms of England surmounted by a crown and supported by two white lions, and a foliate initial 'D'(es nouvelles), introducing the poem Des nouvelles d'Albyon., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

Miniature of a view of London with the Tower Bridge and the Tower of London with duke Charles inside writing his poems, with a full border containing the royal arms of England surmounted by a crown and supported by two

• Detail of a miniature of a view of London with the Tower Bridge and the Tower of London with duke Charles inside writing his poems., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

Detail of a miniature of a view of London with the Tower Bridge and the Tower of London with duke Charles inside writing his poems. Includes the Poems of Charles, duke of Orléans, written during his captivity in England (1415-1440)

• Detail of the miniature of the Martyrdom of Blaise., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• Montage composed of a miniature of the Assumption of the Virgin above the inscription 'Assumpta Est Maria' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and a yoke with motto 'Suave', two prophets in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici device of the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• Montage composed of a miniature of the Martyrdom of Blaise surmounted by two Medici devices of a yoke with motto 'Suave' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, and two sibyls in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici 'Candor Illesus' device, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

Esther Rosenbaum Collection (see Sotheby's, London, 25 April 1983, lot 213 [not illustrated]).Former New York, Breslauer Collection (see Voelkle and Wieck, cat. no. 90).Former London, Northwick Collection (see Sotheby’s, London, 16 November 1925, lot 115). London, Ford Collection, RF13 (see

• A border with a bar of burnished gold decorated with leaves, floral forms, an urn, and bezants, measuring 360 x 45 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• A border with a bar of burnished gold decorated with leaves, floral forms, urns, and bezants, measuring 360 x 45 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• A border with a bar of burnished gold decorated with leaves, floral forms, urns, horns and bezants, measuring 360 x 35 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• A border with a bar of burnished gold decorated with leaves, floral forms, an urn, and bezants, measuring 360 x 40 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• A border with a bar of burnished gold decorated with leaves, floral forms, an urn, and bezants, measuring 360 x 40 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• A border with a bar of burnished gold decorated with leaves, floral forms, an urn, bezants, and an anthropomorphic head, measuring 360 x 45 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• Section of border with floral motifs, bezants and two zoomorphic heads. Remnants of illumination visible on reverse, measuring 40 x 175 mm., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• Section of border with floral motifs and bezants, measuring 70 x 175 mm. Similar decoration visible on reverse., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The

• Section of border with floral motif, an urn and bezants, measuring 65 x 170 mm. Similar decoration visible on the reverse., Cuttings from a manuscript of Pope Innocent VIII

Marchi, no. 29e); and Stockholm, Nationalmuseum, NMB. 1801 (de Marchi, no. 29a).From unidentified manuscripts: Add. 21412, ff. 45-65, Add. 35254H; London, Ford Collection, RF12 (see ~The Sixtieth Volume of the Walpole Society, 1998: the Ford Collection~, 2 vols, (Leeds: The