• Detail of an illuminated initial 'I'(n principio) with display script in gold, at the beginning of the Gospel of John., Gospels (the 'Cnut Gospels')

altera parte excavatum: vide i A. xviii'), according to David Casley (~A catalogue of the Manuscripts of the King's Library~ (London: 1735), see also Warner and Gilson 1921, p. 17).Includes the full set of Franco-Saxon prologues and prefaces to individual

• Detail of a 'Winchester style' border with foliage intertwined with gold bars, at the beginning of the Gospel of John., Gospels (the 'Cnut Gospels')

altera parte excavatum: vide i A. xviii'), according to David Casley (~A catalogue of the Manuscripts of the King's Library~ (London: 1735), see also Warner and Gilson 1921, p. 17).Includes the full set of Franco-Saxon prologues and prefaces to individual

• Initial 'I'(nitium) with interlace decoration and display script in gold, framed by a 'Winchester style' foliate border with two medallions with saints holding books (Evangelists?), at the beginning of Mark., Gospels (the 'Cnut Gospels')

altera parte excavatum: vide i A. xviii'), according to David Casley (~A catalogue of the Manuscripts of the King's Library~ (London: 1735), see also Warner and Gilson 1921, p. 17).Includes the full set of Franco-Saxon prologues and prefaces to individual

• Note, in Anglo-Saxon, of the admission of Cnut (d. 1035), king of England, of Denmark, and of Norway, and his brother Harold into the confraternity, probably of Christ Church, Canterbury, certified by the names of brothers Ðorð, Kartoca, and Thuri., Gospels (the 'Cnut Gospels')

altera parte excavatum: vide i A. xviii'), according to David Casley (~A catalogue of the Manuscripts of the King's Library~ (London: 1735), see also Warner and Gilson 1921, p. 17).Includes the full set of Franco-Saxon prologues and prefaces to individual

• Initial 'I'(n principio) with display script in gold, framed by a 'Winchester style' border with foliage intertwined with gold bars, and two medallions with saints holding books and a cross (Evangelists?), at the beginning of the Gospel of John., Gospels (the 'Cnut Gospels')

altera parte excavatum: vide i A. xviii'), according to David Casley (~A catalogue of the Manuscripts of the King's Library~ (London: 1735), see also Warner and Gilson 1921, p. 17).Includes the full set of Franco-Saxon prologues and prefaces to individual

• Coloured initial and rubric in display capitals., End of 'Contra mendacium' followed by the beginning of 'De cura pro mortuis gerenda', cropped leaf

the late 1080s (see Gullick 1998).f. 25 [part 12]:? Hew Herte, possibly identifiable with Hugh Herte (d. 1467), barber-surgeon in London: his name on the upper margin of f. 25, originally f. 107 in New York, Academy of Medicine, MS.

• Coloured initials., Fragment from a Missal, on parchment, which was possibly a gift of bishop Leofric according to unpublished notes of Michael Gullick

unpublished notes): other fragments from the same manuscript can be found in Add. 62104, Oxford, Bodleian Library, Lat. Liturg. e.38; London, Westminster Abbey, 36/17-19, and two flyleaves in Lincoln, Cathedral, V.5.11 (see Rankin 1984, Ker and Watson 1987, Gameson 1996).

• Coloured initials., Fragment from a text with extracts from Luke and Matthew, possibly a Lectionary, on parchment

unpublished notes): other fragments from the same manuscript can be found in Add. 62104, Oxford, Bodleian Library, Lat. Liturg. e.38; London, Westminster Abbey, 36/17-19, and two flyleaves in Lincoln, Cathedral, V.5.11 (see Rankin 1984, Ker and Watson 1987, Gameson 1996).

• Initial 'P'(ost quam) with interlace decoration and clasps, and title in display capitals., Fragment from a Life of St Gertrud (?), on parchment

unpublished notes): other fragments from the same manuscript can be found in Add. 62104, Oxford, Bodleian Library, Lat. Liturg. e.38; London, Westminster Abbey, 36/17-19, and two flyleaves in Lincoln, Cathedral, V.5.11 (see Rankin 1984, Ker and Watson 1987, Gameson 1996).

• Text page with initials, marginal notes and ink drawing of a pitcher., De fide orthodoxa

(see: W. H. James Weale, ~Bookbindings and Rubbings of Bindings in the National Art Library, South Kensington Museum~, 2 vols (London: Eyre and Spottiswoode, 1894), p. 222, no. 519.) The reference to this MS. of no. 498 in the same

• Detail of pen drawings illustrating Psalm 2, with an historiated initial 'B'(eatus vir)., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

text is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2

• Detail of an historiated initial 'B'(eatus vir), with a figure of Christ in a mandorla., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

text is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2

• Detail of a pen drawing illustrating Psalm 9., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of pen drawings illustrating Psalm 12., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 12., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 19., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 23., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of pen drawings illustrating Psalm 14., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of pen drawings illustrating Psalm 26, with a decorated initial 'D'(ominus inluminatis mea)., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

text is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2

• Pen drawing illustrating Psalm 28., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings