• Coloured initials., Fragment from a Missal, on parchment, which was possibly a gift of bishop Leofric according to unpublished notes of Michael Gullick

unpublished notes): other fragments from the same manuscript can be found in Add. 62104, Oxford, Bodleian Library, Lat. Liturg. e.38; London, Westminster Abbey, 36/17-19, and two flyleaves in Lincoln, Cathedral, V.5.11 (see Rankin 1984, Ker and Watson 1987, Gameson 1996).

• Coloured initials., Fragment from a text with extracts from Luke and Matthew, possibly a Lectionary, on parchment

unpublished notes): other fragments from the same manuscript can be found in Add. 62104, Oxford, Bodleian Library, Lat. Liturg. e.38; London, Westminster Abbey, 36/17-19, and two flyleaves in Lincoln, Cathedral, V.5.11 (see Rankin 1984, Ker and Watson 1987, Gameson 1996).

• Initial 'P'(ost quam) with interlace decoration and clasps, and title in display capitals., Fragment from a Life of St Gertrud (?), on parchment

unpublished notes): other fragments from the same manuscript can be found in Add. 62104, Oxford, Bodleian Library, Lat. Liturg. e.38; London, Westminster Abbey, 36/17-19, and two flyleaves in Lincoln, Cathedral, V.5.11 (see Rankin 1984, Ker and Watson 1987, Gameson 1996).

• Text page with initials, marginal notes and ink drawing of a pitcher., De fide orthodoxa

(see: W. H. James Weale, ~Bookbindings and Rubbings of Bindings in the National Art Library, South Kensington Museum~, 2 vols (London: Eyre and Spottiswoode, 1894), p. 222, no. 519.) The reference to this MS. of no. 498 in the same

• Canon table with columns surmounted by foliate capitals., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Miniature of Mark, quill in hand, seated at a lecturn., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Detail of pen drawings illustrating Psalm 2, with an historiated initial 'B'(eatus vir)., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

text is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2

• Detail of an historiated initial 'B'(eatus vir), with a figure of Christ in a mandorla., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

text is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2

• Detail of a pen drawing illustrating Psalm 9., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of pen drawings illustrating Psalm 12., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 12., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 19., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 23., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of pen drawings illustrating Psalm 14., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of pen drawings illustrating Psalm 26, with a decorated initial 'D'(ominus inluminatis mea)., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

text is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2

• Pen drawing illustrating Psalm 28., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings

• Text page., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours

• Detail of a pen drawing illustrating Psalm 38., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a pen drawing illustrating Psalm 39., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page

• Detail of a drawing illustrating a Psalm., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

is not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page