• Canon table with columns surmounted by foliate capitals., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Canon table with columns surmounted by foliate capitals., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Canon table with columns surmounted by foliate capitals., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Canon table with columns surmounted by foliate capitals., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Canon table with columns surmounted by foliate capitals., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Incipit page of Mark's Gospel with an illuminated initial, 'I'(nitium), framed by an acanthus border., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Text in silver on a purple ground, framed by an acanthus border., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Miniature of Luke, quill in hand, seated at a lecturn., Gospels (the 'Cologne Gospels') with prologue, argumentum, and the Capitulare evangelorum

in Düsseldorf: bought the entire Graevius library in 1703 (see Clark 1891; Wright 1972).Giovanni Giacomo Zamboni (d. 1753), resident in London for the Landgrave of Hesse-Darmstadt (c. 1723-1753), friend of Michael Mattaire, the classical scholar and historian of printing: bought

• Initial 'P'(ater) with penwork decoration., Theological works (imperfect), including Soliloquia, De immortalitate animae, De XII abusivis saeculi, De gratia et libero arbitrio and Sermons

patron of the arts: the Harley family seat Brampton Bryan (see ~Diary~ 1966, I, pp. xlii-xliii) and then brought to London after Robert's death in 1724, received in the library on 16 October 1725, inscribed by the librarian Humfrey Wanley

• Pen drawing illustrating Psalm 12., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings

• Drawing illustrating the Psalms., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in

• Decorated initial., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours

• Pen drawing illustrating Psalm 25., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings

• Drawing illustrating a Psalm., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in

• Text page., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours

• Drawing illustrating a Psalm., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in

• Drawing illustrating a Psalm., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in

• Drawings illustrating Psalms 13 and 14., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

not the Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings

• Text pages., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours

• Text pages., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Gallican version of it but the Roman (see Abbot Gasquet and Edmund Bishop, ~The Bosworth Psalter~ (London: Bell and Sons, 1908)).Coloured drawings have been added in the 2nd quarter of the 12th century (ff. 29-35). 2 full-page drawings in colours