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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

85 results from this resource . Displaying 61 to 80

Initial-word panel ~Wa-yehi~ (and it came to pass) inhabited by hybrids, a lion and a deer, at the beginning of Ruth. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413)

Initial-word panel ~Shir~ (song) with Gothic architectural structure inhabited by a unicorn and a bear, in colours. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and the Gradual of

Initial-word panel ~Wa-yehi~ (and it came to pass) embedded into a Gothic structure inhabited by dragons and different kinds of animals, at the beginning of Esther. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to

Initial-word panel ~Koh~ (so) incorporated into a Gothic architectural structure inhabited by two armed hybrids and two unicorns, at the beginning of the ~Haftarot~. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite

Decorated initial word, at the beginning of Joshua. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire historique des marques du

~Carmina figurata~ of a fleur-de-lis, at Ezekiel. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire historique des marques du papier

Micrography, at the beginning of Isaiah. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire historique des marques du papier dès

Micrography, ~carmina figurata~, the colophon of the scribe, and a censor's signature. The older flyleaves have a watermark of a coat of arms with a man in the moon, not found in Briquet (C. M. Briquet, Les Filigranes: Dictionnaire

Full border of geometric design at the Song of the Sea (Ex. 15). f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the

Detail of a page: initial-word panel ~Shir~ (song) inhabited by a bear and a unicorn, at the beginning of Song of Songs. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add

Marginal micrographic design of foliate scroll. Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and the Gradual of Saint Katharinental (Zürich, Schweizerisches Landesmuseum, Frauenfeld, LM 26117). 5 full-page miniatures

Detail: micrography of the ram stuck in the bush in the outer margin, at the Sacrifice of Isaac (Genesis 22). Ruling and pricking are sometimes visible. Gilt edges.The manuscript is related stylistically to the Tripartite Mahzor (Add 22413) and

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 28 May 2024), https://www.manuscriptsonline.org/search/results?kw=magna%20carta&sdf=1312&sdt=1342&sr=ci&st=60