• Detail of a miniature of the Castle of Love, with the lover addressing three women., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

i verso) (see Warner and Gilson, 1921).?Shelfmark of a very large number in brown ink (Carley's 'Old Large Number') '53'.The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 84,

• Detail of a Tudor rose in the lower left corner of the folio., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

i verso) (see Warner and Gilson, 1921).?Shelfmark of a very large number in brown ink (Carley's 'Old Large Number') '53'.The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 84,

• Miniature of a prince and his council, and a prince hearing mass, with a full border with two red and white roses, one supported by a white greyhound and a red dragon, with an ostrich feather with a motto 'Ic dene', and a decorated initial 'E'(n)., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

i verso) (see Warner and Gilson, 1921).?Shelfmark of a very large number in brown ink (Carley's 'Old Large Number') '53'.The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 84,

• Detail of a miniature of a prince hearing Mass., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

i verso) (see Warner and Gilson, 1921).?Shelfmark of a very large number in brown ink (Carley's 'Old Large Number') '53'.The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 84,

• Miniature of the Crucifixion with the walled city of Paris in the distance, the Royal arms of France, the Oriflame, and a dove of the holy spirit holding an ampoule in the sky, with a full border containing a crowned Beaufort's badge of Portcullis, an ostrich feather with a motto 'Ic dene', and a red rose supported by a white greyhound and a red dragon; and an illuminated initial 'F'(rance)., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

i verso) (see Warner and Gilson, 1921).?Shelfmark of a very large number in brown ink (Carley's 'Old Large Number') '53'.The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 84,

• Text page recording the miracle of a young man who was injured playing football and then healed by Henry VI., Miracles of Henry VI, comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v)

table of contents and a prologue. The prologue states that this is a selection from about 300 miracles recorded (in English) in a book kept at Windsor, to which the reference is given in each case (f. 30).f. 33: Dedicatory

• Text page recording the miracle of a young man who was injured playing football and then healed by Henry VI., Miracles of Henry VI, comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v)

table of contents and a prologue. The prologue states that this is a selection from about 300 miracles recorded (in English) in a book kept at Windsor, to which the reference is given in each case (f. 30).f. 33: Dedicatory

• Text page recording the miracles of Henry VI, including the revival of Thomas Paynston, a young man who was run over by a wagon, and the healing of a boy living in London., Miracles of Henry VI, comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v)

table of contents and a prologue. The prologue states that this is a selection from about 300 miracles recorded (in English) in a book kept at Windsor, to which the reference is given in each case (f. 30).f. 33: Dedicatory

• Text page recording the miracles of Henry VI, including the revival of Thomas Paynston, a young man who was run over by a wagon, and the healing of a boy living in London., Miracles of Henry VI, comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v)

table of contents and a prologue. The prologue states that this is a selection from about 300 miracles recorded (in English) in a book kept at Windsor, to which the reference is given in each case (f. 30).f. 33: Dedicatory

• Historiated initial 'D'(ilexi) with the Vigil of the Dead at the beginning of the Office of the Dead., Book of Hours, Use of Sarum

Jerome's Psalter (ff. 180-204), the fifteen O's of St Bridget introduced by a long rubric in English (ff. 204-221). Some long rubrics in English. Catchwords.Quire signatures. 2 historiated initial in gold and colours with acanthus leaves, with full border with

• Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by means of scrolls with texts in latin. The Carthusian petitions Christ: ‘O Lord I beseech, send me salvation’ (Domine obsecro dirige ad me salutem). He replies: ‘Son, shun (temptation, understood), subdue (it), say nothing, keep quiet (Fili fuge, vince, tace, quiesce). The formulation is found in Abelard’s Epistle VII on the foundation of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’ The most remarkable example of a book

• Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle

• Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle

• Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle

• Print with the Virgin nursing the Child., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Pages painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Miniature of Christ the Redeemer, at the beginning of an added prayer in English., Added miniature for an inscribed prayer in English

the beginning of an added prayer in English. Traces of pilgrim badges (f. 27v). 1 full-page miniature including heraldic arms, in colours and gold (f. 3v). Added miniature for an inscribed prayer in English A member of the Gower family,

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third