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TEAMS Middle English Texts Series

955 results from this resource . Displaying 261 to 280

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

Salutation to Jesus for Mary’s Love. On Middle English lyrics with anaphoric “haile,” see Driver, “John Audelay and the Bridgettines,” pp. 192–95, 209–10n4. Woolf, English Religious Lyric, pp. 274–308, discusses the Middle English tradition of lyrics to the Virgin (with

when the authority of English writers was still in flux, the Audelay manuscript stands at counterpoint to the prevailing trend to treat attributions casually. As a book that ascribes texts with insistence to a contemporary English author, it becomes a

dumbshow). Young Bruce (alias Young Fitzwater). Old Bruce. Earl of Leicester (perhaps having appeared earlier in play). Earl of Richmond. A Boy, messenger (no speeches). Lady Bruce. Winchester (alias Chester). George, younger son of Old Bruce (no speeches). A Messenger

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 9 May 2024), https://www.manuscriptsonline.org/search/results?ct=lm&kw=old%20english%20hexateuch&sr=te&st=260