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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

86 results from this resource . Displaying 41 to 60

in colours and gold at the beginning of Psalms 38, 68, 97, 101, 109 and other divisions and at Lauds, Prime, Terce, Vespers and Compline of the Hours of the Virgin, and other divisions, including the Penetential Psalms and the

in colours and gold at the beginning of Psalms 38, 68, 97, 101, 109 and other divisions and at Lauds, Prime, Terce, Vespers and Compline of the Hours of the Virgin, and other divisions, including the Penetential Psalms and the

the Labours of the months, in colours and gold, in the calendar. 1 full page prefatory miniature of the Annunciation in colours and gold, and 1 full page historiated initial in colours and gold, at the beginning of the Psalter

Donatian and Rogatian in red (24th May; venerated in Nantes and in the diocese of Meaux), and Fara (7th December, venerated in Faremoutier in Brie), but it includes as well both John and Genevieve (3rd January, f. 1), and the

tugs on his hood, and a standing man holds a pig by his hind legs, in illustration of Paradiso XXIX. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,

initial 'KL' and two medallions, of a man killing a pig,and of Sagittarius. Includes a calendar (ff. 9-14v) and litany (ff. 137-139). The calendar includes the erased name of Thomas of Canterbury in gold display script and a number

and in the margin, roundels of a man killing a pigand of Capricorn, both on gold grounds. Watermark visible: 'G. G.' (f. 1). 10 large 'KL' initials in the calendar (July and August missing) in gold on blue

illuminated 'KL' initials, roundels of a man killing a pigand of Capricorn on gold grounds, and on the right, a full-page illuminated miniature in two registers of the Annuciation above, and the Visitation below. Watermark visible: 'G. G.' (f.

tugs on his hood, and a standing man holds a pig by his hind legs, in illustration of Paradiso XXIX. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,

the Vienna and Copenhagen Toison d’Or (ff. 14v, 281v, 284).Catchwords and bifolium signatures. Foliation in red beginning on f. 10.Written instructions to the illuminator. 5 half-page miniatures in colours and gold, with full borders, and initials in colours and gold

287). Catchwords and bifolium signatures. 143 historiated initials in colours, gold, and silver, with full borders, at the beginnings of biblical books and prologues and 1 miniature in the margin (f. 192v). 23 large foliate initials in colours and gold,

andsheep past a crippled and a king. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated

men with a bowl, and on either side, a sheepand a cow. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part

excommunicated as apostate and thief in 1387 (see Warner and Gilson, 1921): inscribed, 'Iste liber rep[ar]atu[m] fuit p[er] fratre[m] Joh[an]em Malli[n]gg', 14th century (f.150). Added leaves from a service book containing lessons and prayers for Trinity Sunday and preceding days,

excommunicated as apostate and thief in 1387 (see Warner and Gilson, 1921): inscribed, 'Iste liber rep[ar]atu[m] fuit p[er] fratre[m] Joh[an]em Malli[n]gg', 14th century (f.150). Added leaves from a service book containing lessons and prayers for Trinity Sunday and preceding days,

and the Trinity (f. 108v). Small marginal calendar miniatures in colours and gold with the labours of the months and Zodiac signs integrated in a full border of acanthus leaves, flowers, birds and fruits on a gold, blue, red

by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian,

1500] of the enthroned Virgin and Child with several sheepand a Franciscan monk and a nun, is pasted to f. 1v. 13 three-sided bar borders with bas de page scenes in colours and gold, and large historiated initials, many

colours and gold with foliate motifs and a partial border with rinceaux decoration in the outer margin (f. 1). Another large initial in colours and gold and foliate motifs (f. 119). Initials in red and blue with red and black

by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts. Edward Harley bequeathed the library to

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 30 May 2024), https://www.manuscriptsonline.org/search/results?kw=pig%20and%20sheep&sr=ci&st=40