Search Results

You searched for:
  • Keyword:
    • quires
  • Source Date From:
  • Source Date To:

Your search found 102 results in 1 resource

Category

  • Literary Manuscripts (102)
  • Non-literary Manuscripts (0)
  • Official Documents (government, civic, legal, religious) (0)
  • Literary Printed Books (0)
  • Non-literary Printed Books (0)
  • Maps and Works of Art (0)

Format

Date

Access Type

British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

102 results from this resource . Displaying 61 to 80

lower margin of the verso of the last leaf of the quires); catchwords. Leaves lost after f. 136.Uncrossed tironian ets. 1 large initial in gold, green, blue, red and black with some white (f. 2). 2 large puzzle initial in

lower margin of the verso of the last leaf of the quires); catchwords. Leaves lost after f. 136.Uncrossed tironian ets. 1 large initial in gold, green, blue, red and black with some white (f. 2). 2 large puzzle initial in

lower margin of the verso of the last leaf of the quires); catchwords. Leaves lost after f. 136.Uncrossed tironian ets. 1 large initial in gold, green, blue, red and black with some white (f. 2). 2 large puzzle initial in

brown. Commentary on the Psalms Several erased ownership ? inscriptions on the flyleaves, and a note of the number of quires 'iii quarterniones sunt in hoc volumine' (f. 423).ff. i-ii and iv-v (at the end) are fragments of a 14th-

brown. Commentary on the Psalms Several erased ownership ? inscriptions on the flyleaves, and a note of the number of quires 'iii quarterniones sunt in hoc volumine' (f. 423).ff. i-ii and iv-v (at the end) are fragments of a 14th-

brown. Commentary on the Psalms Several erased ownership ? inscriptions on the flyleaves, and a note of the number of quires 'iii quarterniones sunt in hoc volumine' (f. 423).ff. i-ii and iv-v (at the end) are fragments of a 14th-

before f. 1.Quire signatures (in the centre of the lower margin of the recto of the first leaf of the quires, beginning with 'iii' on f. 7); uncrossed tironian ets. Numerous tables and diagrams in red. Initials in red or

marks (in the centre of the lower margin of the verso of the last leaf of the quires); catchwords. Leaves lost after f. 136.Uncrossed tironian ets. 1 large initial in gold, green, blue, red and black with some white (f.

penthateuchus' (f. 235v).Marginal addition on f. 1v possibly represents instructions to the artist.Early modern inscription on f. 235v numbers the quires of the manuscript, giving an inaccurate folio count. The same hand has made a similar addition to Harley 3168.

alternately blue or red, with flourishing in the other colour. One-line initials alternately blue or red (only in red in quires xii-xv; ff. 115-158). Bible with prologues Reginald, priest of Bury St Edmunds, 14th century.The Franciscan convent of Babwell, Bury

alternately blue or red, with flourishing in the other colour. One-line initials alternately blue or red (only in red in quires xii-xv; ff. 115-158). Bible with prologues Reginald, priest of Bury St Edmunds, 14th century.The Franciscan convent of Babwell, Bury

alternately blue or red, with flourishing in the other colour. One-line initials alternately blue or red (only in red in quires xii-xv; ff. 115-158). Bible with prologues Reginald, priest of Bury St Edmunds, 14th century.The Franciscan convent of Babwell, Bury

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

63); 'q xviiij' (f. 68v); '.a.' (f. 76v), '.B.' (f. 84v). Some marks indicating pages which face each other within quires: 'a' (ff. 23v, 24; 34v, 35), 'b' (ff. 25v, 26; 36v, 37), 'c' (ff. 27v, 28). Numerous initials in

headers, catchwords, quire marks (in the centre of the lower margin of the verso of the last leaf of the quires). Erased inscriptions (ff. 1v, 2, 207v). Numerous large puzzle initials in red and blue with penwork decoration or pen-flourishing

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

Cite this page:

"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 4 June 2024), https://www.manuscriptsonline.org/search/results?kw=quires&sdf=1125&sdt=1217&st=60