• Initials 'R'(es) and 'A'(nno) with penwork decoration, at the beginning of William of Malmesbury's 'Gesta regum Anglorum'., Gesta regum Anglorum (ff. 4-103v); Gesta pontificum Anglorum (ff. 108-167); Henry of Sawtrey's De purgatorio S. Patricii (ff. 167v-175)

sets of quire marks (in the centre of the lower margin of the verso of the last leaf of the quires) for ff. 4-108 ('i'-'xiii') and ff. 108-155 ('i'-'vi'); catchwords.Perhaps the exemplar for Harley 528 (see Watson 1966, p. 331

• Historiated initial 'F'(rater) depicting Jerome and Damasus (above), and Jerome and Ambrose (below), with the ownership inscriptions of Abbot Robert de Bello at the top of the page and under the feet of the peacock., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

• Historiated initial 'F'(rater) depicting Jerome and Damasus (above), and Jerome and Ambrose (below), with the ownership inscriptions of Abbot Robert de Bello at the top of the page and under the feet of the peacock., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

• Historiated initial 'L'(iber) depiciting a Tree of Jesse, at the start of Matthew; the prologue has a smaller historiated initial 'M'(atheus) depicting two male figures., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the