• Detail of a pen drawing illustrating Psalm 108., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 109., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing depicting a group of men, one holding a scroll, from an illustration of Psalm 110., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Detail of a pen drawing depicting a group of men, one holding a scroll, from an illustration of Psalm 110. Although the illustration is copied from the Utrecht Psalter, the text is not the Gallican version of it but the

• Detail of a pen drawing illustrating Psalm 111., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawing illustrating Psalm 111., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 113., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 117., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 122., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 123 and 124., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalm 125, with a decorated initial 'Q'(ui confidunt in Domino) and a decorated initial 'I'(n convertendo Dominus)., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 126 and 127., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 131., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Detail of a pen drawing illustrating Psalm 133., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawing illustrating Psalm 136., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Pen drawings illustrating Psalms 13 and 14., Psalter, in the Roman version, imperfect, ending in Psalm 143 (the 'Harley Psalter')

Christ Church Canterbury: evidence of an initial with an archbishop wearing a pallium (f. 2); and by the script of one of the scribes (ff. 28-49v), identified by T. A. M. Bishop as being that of Eadui Basan, a Christ

• Decorated initial 'G'(lorisissimo), the ownership inscription of the Benedictine abbey of Saint Pater, Gloucester, and the Old Royal press-mark 'no. 965'., Historia Ecclesiastica Gentis Anglorum, with preface and tables of chapters, imperfect at the end

in fainter ink, the note 'per Richard Hauley abbatem' (of Gloucester, 1457-1472).f. 225, reused as a flyleaf, is a folio from a thirteenth-century manuscript of the Historia Scholastica of Petrus Comestor. Added pen drawing of a chalice or urn in

• Following the numbered list of chapters (some of the numbers are visible through the parchment in the right-hand column), the start of the main text is introduced by a large red initial 'B' and opening words in capital letters (now darkened to a silvery black, due to oxidisation)., Historia Ecclesiastica Gentis Anglorum, with preface and tables of chapters, imperfect at the end

in fainter ink, the note 'per Richard Hauley abbatem' (of Gloucester, 1457-1472).f. 225, reused as a flyleaf, is a folio from a thirteenth-century manuscript of the Historia Scholastica of Petrus Comestor. Added pen drawing of a chalice or urn in

• Puzzle-initial 'T'(ranscriptum) with pen-flourishing at the beginning of Robert Grosseteste's translation of Tertullian, 'Testamentum XII patriarcharum'., Testamentum XII patriarcharum (ff. 1-15); Beniamin minor, in verse (ff. 15-20); Elucidarius (ff. 20v-34v)

fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Text page Tertullian, translated by Robert Grosseteste (ff. 1-15); Richardof

• Coloured initial 'P'(rimus) at the beginning of notes on the compotus, and below, an added list of the archbishops of Canterbury., Treatise on the compotus, 'Ratio Gai cesaris de ordine anni', instructions for the discovery of the age of the moon, a table of moveable feasts, and other texts

margin, f. 1).Addition of an 11th-12th century list of the Archbishops of Canterbury, Augustine- Anselm (consecrated 1093), with additions down to Richardof Dover (consecrated 1174) (f. 34).Mid-12th century addition of twelve lines of verses (f. 18).Note of a flood