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- richard of york
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- Catalogue of Illuminated Manuscripts

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British Library Catalogue of Illuminated Manuscripts

928 results from this resource . Displaying 81 to 100

Detail of a miniature of the second plague, of frogs., Haggadah for Passover (the 'Golden Haggadah'')

Detail of a miniature of the second plague, of frogs. The codex is called Golden Haggadah because of the diapered gold-leaf background of its miniatures. Ruling is visible. Hair side and flesh side are distinguishable.Erased text (e. g., ff. 81,

Detail of a miniature of the fifth plague, of murrain., Haggadah for Passover (the 'Golden Haggadah'')

Detail of a miniature of the fifth plague, of murrain. The codex is called Golden Haggadah because of the diapered gold-leaf background of its miniatures. Ruling is visible. Hair side and flesh side are distinguishable.Erased text (e. g., ff. 81,

Detail of a miniature of the fourth plague, of wild beasts (~arov~). The meaning of the Hebrew word, ~arov~, by which the fourth plague is described (E. 8:21) is not clear. In Christian iconography following the translation of the Vulgate, which translates ~arov~ as ~omne genus muscarum~, that is, 'all kinds of flies', the fourth plague is depicted as flies. Jewish iconography follows the rabbinical explanation of ~arov~ depicting it as various kinds of wild animals (see e.g. the Rashi's commentary on Exodus 8:21)., Haggadah for Passover (the 'Golden Haggadah'')

Detail of a miniature of the fourth plague, of wild beasts (~arov~). The meaning of the Hebrew word, ~arov~, by which the fourth plague is described (E. 8:21) is not clear. In Christian iconography following the translation of the Vulgate,

The confusion of the language at the building of the tower of Babel (Gen. 11): the builders of Babel are murdering each other. Detail of a miniature depicting scenes from Genesis., Haggadah for Passover (the 'Golden Haggadah'')

The confusion of the language at the building of the tower of Babel (Gen. 11): the builders of Babel are murdering each other. Detail of a miniature depicting scenes from Genesis. The codex is called Golden Haggadah because of the

Seventeenth-century North-Italian morocco binding on wooden boards with elaborate blind-tooled borders, with spine., Haggadah for Passover (the 'Golden Haggadah'')

~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 104, and appendix § 112-117. Rabbi Joav Gallico of Asti, duchy of Savoy: gave the manuscript as a wedding present to his 'learned son-in-law Eliah', son of Menahem