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- richard of york
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- 1422
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- 1440
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- Catalogue of Illuminated Manuscripts

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British Library Catalogue of Illuminated Manuscripts

957 results from this resource . Displaying 1 to 20

Illuminated initial 'S'(elon), with a full border including an added white rose of York and the closed fetterlock in the lower border., La cité des dames

née Cecily Neville], duchess ofYork (b. 1415, d. 1495), Yorkist matriarch, and/or her husband RichardofYork, 3rd duke ofYork (b. 1411, d.1460), regent of France in 1436 and 1441-1445: includes the Yorkists badges of the white rose

Historiated initial 'D' or 'O' of Christ Disputing with the Merchants. The robe of the figure to the right is inscribed 'A. P. S. VITV. SI?S'., Cutting from an Antiphoner (index antiphonary, antiphonal)

New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 52a); New York, The

Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 of Richard of St-Victor's In apocalypsim., In apocalypsim

Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 ofRichardof St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials mostly

Decorated Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 of Richard of St-Victor's In apocalypsim., In apocalypsim

Decorated Initials 'L'(iber) and 'D'(eus) with penwork decoration, at the beginning of book 4 ofRichardof St-Victor's In apocalypsim. 1 large initial in blue, with reserved designs, with foliate penwork decoration in red and blue (f. 1). Smaller initials

Decorated initial 'M'(arcus) with birds' heads and interlace on a ground of red dots, and decorated letters in a calligraphic copy of a page from Cotton Otho C.V at the beginning of Mark, and on the lower part of the page, an alphabetical 'sampler' of the letter forms found in the manuscript., Copy of a page from Cotton Otho C.V

on a ground of red dots, and decorated letters in a calligraphic copy of a page from Cotton Otho C.V at the beginning of Mark, and on the lower part of the page, an alphabetical 'sampler' of the letter forms

Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin., Single leaf of a Book of Hours

Miniature of the Visitation, at the beginning of Lauds in the Hours of the Virgin. The calligraphic copies include representations of a harp (f. 68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in the

Historiated initial 'R' with Richard II, combined with a full foliate bar border, at the beginning of his statutes., Nova Statuta (index Statuta Angliae, Statute book, Statutes of England), for the reign of Edward III (r. 1327-1377)(ff. 11-140v), Richard II (r. 1377-1399)(ff. 141-218), Henry IV (r. 1399-1413)(ff. 219-265v), Henry V (r. 1413-1422) (ff. 265v-289v), to 15 Henry VI (r. 1422-1461, 1470-1471)(ff. 289v-338v)

in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II England

Full page miniatures of Sir Richard FitzSimon and Sir Thomas Walle, of the Order of the Garter, each wearing a blue Garter mantle over plate armour and surcoat displaying his arms. A framed tablet displays painted arms of successors in their Garter stall at St. George's Chapel, Windsor., Pictorial book of arms of the Order of the Garter ('William Bruges's Garter Book')

heraldic shields of successors in their Garter stalls at St George's Chapel, Windsor, and 1 of George and the dragon and a kneeling Garter King (the principal officer of the Order). Pictorial book of arms of the Order of the

null, Biblical and genealogical chronicle from Adam and Eve to Edward VI (the Longer English genealogical chronicle of the kings of England)

Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and