• Historiated initial 'M' of the Calling of Peter and Andrew., Cutting from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Detail from the lower margin showing a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit'., Le miroir historial (a French translation of the Speculum historiale) books 1-5

included in the list of books at Richmond Palace of 1535, no. 26.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. White rose of the York family Vincent of Beauvais, French translation

• Miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter

• Detail of a miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter

• Detail of a miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter

• Miniature of Alexander attending the funeral of those killed fighting Darius., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of the death of Alexander Lyncestes., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of the enthroned Alexander giving orders to his generals., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of Alexander directing sacrifices to the sun., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of Cleander and others beheaded, Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Frontispiece with miniature of Vasco da Lucena presenting his translation to Charles the Bold., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of the surrender of Celaenae., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Miniature of Darius' letter being delivered., Historia Alexandri Magni

da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret ofYork, first presented to Charles in 1468; preceded by a table of contents (ff. 1-11v). ?Shelfmark of a very large number in brown ink

• Historiated initial ?'O' of two male saints, measuring 155 x 100 mm. On the reverse, two four-line staves, musical notation and partial text 'eluia'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'G' with the Assumption of the Virgin, measuring 80 x 85 mm. On the reverse, one four-line stave, musical notation and partial text 'collau'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'N' with Peter and Paul, measuring 160 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...expectatio /…bis iude'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'I' or 'L' with Christ among the Doctors, measuring 165 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...Vidi m[us] /...in oriente et'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'O', measuring 80 x 80 mm. On the reverse, one four-line stave, musical notation and partial text 'sti' (upper left)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial ?'C' with the head of a cherub, measuring 85 x 90 mm. On the reverse, one four-line stave, musical notation and partial text 'o nis' (upper right)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'L', measuring 90 x 80 mm. On the reverse, partial text 'men adreu / nder(u)nt. Eta / t po(?). Lori / Repetat(ur) tota / s d(?) hec an(n)a' (lower left)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.