• Historiated initial 'M' of the Calling of Peter and Andrew., Cutting from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter

• Detail of a miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter

• Detail of a miniature of a lady Jeunesse presenting the author to lord Bel Accueil and lady Plaisance and their court, with a full border with two mottos, 'La plus eure' and 'Dieu et mon droit', the arms of Edward the Confessor and George, the royal arms of England and the arms of Elisabeth of York surmounted by a crown with two shields bearing the same arms differenced by labels of three points; white roses ~en soleil~ of York; red rose supported by a white greyhound and a red dragon between red and white roses., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter

• Illuminated initial and border with foliate decoration at the beginning of the Poor Caitiff., The Poor Caitif; with calendar (November and December missing) (ff. 2-6v); a moral treatise (f. 161r-161v)

(f. 161r-161v) Additional text of the rules for ascertaining the date of the moon's changes, and rhymes concerning Bentley of Cheveley, 16th century (ff. 1v, 158).f. 161 contains a brief fragment of the Oleum Effusum ofRichard Rolle.Denis Beke and

• Historiated initial ?'O' of two male saints, measuring 155 x 100 mm. On the reverse, two four-line staves, musical notation and partial text 'eluia'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'G' with the Assumption of the Virgin, measuring 80 x 85 mm. On the reverse, one four-line stave, musical notation and partial text 'collau'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'N' with Peter and Paul, measuring 160 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...expectatio /…bis iude'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'I' or 'L' with Christ among the Doctors, measuring 165 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...Vidi m[us] /...in oriente et'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'O', measuring 80 x 80 mm. On the reverse, one four-line stave, musical notation and partial text 'sti' (upper left)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial ?'C' with the head of a cherub, measuring 85 x 90 mm. On the reverse, one four-line stave, musical notation and partial text 'o nis' (upper right)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'L', measuring 90 x 80 mm. On the reverse, partial text 'men adreu / nder(u)nt. Eta / t po(?). Lori / Repetat(ur) tota / s d(?) hec an(n)a' (lower left)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'L', measuring 80 x 75 mm. On the reverse, partial four-line stave, musical notation and text (lower right)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'C' with anthropomorphic heads, measuring 155 x 160 mm. On the reverse, two four-line staves, musical notation and partial text 's me deus / ris meus. Ps(almus)'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'C', measuring 80 x 85 mm. On the reverse, one four-line stave, musical notation and partial text (top image)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'M', measuring 80 x 85 mm. On the reverse, one four-line stave, musical notation and partial text 'a r' (centre image)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'E', measuring 75 x 80 mm. On the reverse, one four-line stave, musical notation and partial text 'con' (bottom image)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'H' with trompe l'oeil pearls and cameos, and a view of a landscape with a lake, measuring 160 x 160 mm. On the reverse, two four-line staves, musical notation and partial text 'am co(n) / e di'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'U' [inverted], measuring 70 x 80 mm. On the reverse, one four-line stave, musical notation and partial text 'Offr. De(us) tu co(?) / verte(n)s' (top left)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliated initial 'D' [inverted], measuring 75 x 85 mm. On the reverse, partial filigree initial and text (top right)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.