• Miniature of the Virgin and Child looking down on a Venetian nobleman receiving a book from a seated Mark before a landscape, and the inscription 'Anno Aetatis XLII' within a border of putti with urns and garlands., Leaf of a Doge's Commission (index commissione dogale)

May 1855, lot 2254 (f. 11v); purchased for £1 1s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Doge's commission to a Venetian nobleman Master T.° Ve. Venice Italy, N. E. (Venice)

• Illuminated white vine initial 'G'(loriosissimam) at the beginning of Augustine's first book of the City of God., De civitate dei (index City of God)

with the arms of the Donati family of Venice inside a wreath in the upper border and hanging from the outside border, and the arms possibly of the Capodilista family of Venice inside a wreath in the lower border (f.

• Historiated initial with author portrait of Dante and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785), Venice: his catalogue (see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), V, no. 3893); bought by Mason for 10 guineas (note

• Miniature with the Virgin and the ~doge~ of Venice, with a full foliate border including medaillons and heraldic arms in the lower margin., Commission of Andrea Gritti, ~doge~ of Venice, appointing Aloysio Capello ~podestà~ of Castelfranco

Farnborough Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Miniature and border Venice Italy, N. (Venice)

• Historiated initial with men in ship and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785), Venice: his catalogue (see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), V, no. 3893); bought by Mason for 10 guineas (note

• Historiated initial and foliate border., Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy)

Divina Commedia (Inferno, Purgatorio, and Paradiso)(index Divine Comedy) Maffeo Pinelli (b. 1735, d. 1785), Venice: his catalogue (see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), V, no. 3893); bought by Mason for 10 guineas (note

• Miniature of a Venetian nobleman before the Virgin and Child with a landscape in the background within a border of interlocking frame of scollling foliage and flowres and medallions with vases of flowers, butterflies, rabbits and birds, and arms [defaced] suspended from a ribbon before a hilly landscape and the inscription 'Laus Deo MD / LXX di eta di / an[n]i ZZ'., Leaf of a Doge's Commission (index commissione dogale)

May 1855, lot 2258*/2 (f. 9v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Leaf from a Doge's Commission Master T.° Ve. Venice Italy, N. E. (Venice)

• null, Tractatus in Evangelium Ioannis, imperfect, lacking tracts 18 and 19 and substituting Sermo 125 (ff. 66-70)

Notes with dates 1318 and 1335 (ff. 1, 1v).Maffeo Pinelli (d. 1785) of Venice (listed in his inventory: see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7896: his sale, 2 March 1789, lot

• null, Tractatus in Evangelium Ioannis, imperfect, lacking tracts 18 and 19 and substituting Sermo 125 (ff. 66-70)

Notes with dates 1318 and 1335 (ff. 1, 1v).Maffeo Pinelli (d. 1785) of Venice (listed in his inventory: see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7896: his sale, 2 March 1789, lot

• Decorated initial and full border all antica with heraldic arms in the lower margin., Commission from Andrea Gritti, ~doge~ of Venice, appointing Francesco Morosini governor of Treviso

Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Decorated initial and border Venice Italy, N. (Venice)

• Miniature of the Virgin and Child with Benedictus Longus, the winged lion of Venice beside him, linked to the frame by use of gold; in the lower center of the frame his arms., Commissio qua constituit Benedictum Longum rectorem Caneae insulae Cretae

leaf verso; its book-plate with the pencil inscription: ‘XIII.1.22’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Virgin and Child with patron Venice Italy, N. E. (Venice)

• Initial with foliate decoration., Psalter, imperfect, including Odes (ff. 219v-232v)

Mielke, 1974-1980), 'Chapeau' nos. 75-79 (Rome 1537; scribe Georgios Tryphon, 1548 and 1549; scribe Ioasaph 1547; scribe Andreas Darmarios at Venice, 1565). Headpieces with geometric or foliate decoration in red, effaced (ff. 115, 219). Decorated initials and titles in light

• Historiated initial 'I'(eronimus) with Jerome and the lion and foliate borders including a lion and an ink drawing of a man and a stag., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Decorated and flourished initials., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Historiated initial with Jerome, the lion, and scholars, with foliate borders including angels, heraldic arms and small scenes with the Nativity, God the father with Christ, and the Resurrection., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Flourished initial 'B'(eatissimo)., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Historiated initial and foliate borders., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Historiated initial., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Historiated initial., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Historiated initial., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd