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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

147 results from this resource . Displaying 121 to 140

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

2004, xi-xii.Old pagination '1-509' (ff. 20-263), omits pp. '191-192' excised after f. 104. Watermark: 3 Crescents.The text was printed in Venice by Antonio Bortoli in 1713 from a manuscript no longer extant (see ~Summary Catalogue~ 1999). One tinted drawing (f.

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 2 June 2024), https://www.manuscriptsonline.org/search/results?kw=venice&sdf=1469&sdt=1475&st=120