• Foliate initial 'Q', measuring 75 x 80 mm. On the reverse, one four-line stave, musical notation and partial text 'e ad' (bottom left)., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Foliate initial 'S' [inverted], measuring 80 x 85 mm. On the reverse, one four-line stave, musical notation and partial filigree initial and text (bottom right)., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Foliate initial 'I' with an statue in an alcove and two cherubs [inverted], measuring 160 x 140 mm. On the reverse, two four-line staves, musical notation and partial text 'no(n) te sa(n)cto / Hec' and filigree initial 'H'., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Historiated initial 'B' with Nicholas of Bari, measuring 80 x 80 mm. On the reverse, one four-line stave, musical notation and partial text 'r. V'., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Historiated initial G' of a bishop saint, measuring 75 x 80 mm. On the reverse, one four-line stave, musical notation and partial text 'dant'., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Historiated initial 'N' with John the Baptist, measuring 160 x 165 mm. On the reverse, two four-line staves, musical notation and partial text '...ni um p[er]hi /...e lumi nep'., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Historiated initial 'E' with the Massacre of the Innocents, measuring 160 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...ster qu(am) admi[r]a/ e(?)'., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Historiated initial 'B' with Michael trampling the devil and weighing souls, measuring 165 x 165 mm. On the reverse, two four-line staves, musical notation and partial text 'crisi / rum alle'., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Historiated initial 'U' with Joseph and his brothers, illustrating Genesis 37:18-21, measuring 165 x 165 mm. On the reverse, two four-line staves, musical notation and partial text 'cidam(ur) / amus si pro'., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Section of foliate and zoomorphic border decoration with birds, flowers and an urn inscribed 'IHS', measuring 50 x 210 (upper border)., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Section of foliate border decoration with two candelabra inscribed 'Noe', measuring 225 x 70 mm (lower border)., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Section of foliate border decoration with a bird and the heads of two cherubs, measuring 200 x 70 mm (upper border)., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Section of foliate border decoration with a female grotesque, measuring 45 x 50 mm (lower border)., Cuttings from a choir book

of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 70); Venice, Fondazione Giorgio Cini, n. 162; Venice, Museo Correr, CL. II. 61, 64 and 437; Windsor, Royal Library, RL O1414; Unknown location, formerly

• Historiated initial 'C' of the Vision of Ezechiel. On the reverse, two four-line red staves, musical notation and text '...ue sub ipso /…le bant'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms.

• Historiated initial 'C' of Helen praying before the Cross. On the reverse, two four-line red staves, musical notation and text '...cut docuit /…lo'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms.

• Historiated initial 'O' of a funeral with a saint burying a man. On the reverse, two four-line red staves, musical notation and text '…meoru[m] neq[ue] /…as de pecca'., Cuttings from an Antiphoner (index antiphonar, antiphonal)

4145; London, Wallace Collection, M330; Munich, Staatliche Graphische Sammlung, inv. no. 19796; Paris, Musée Marmottan, Wildenstein Collection, nos. 25-27; and Venice, Fondazione Giorgio Cini, no. 2111 (164); Unknown location, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection, ms.

• Display script by Petruccio Ubaldini, Prologue., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of

• Prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of

• Display script by Petruccio Ubaldini, Psalm 1., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of

• Detail of the prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame., Psalter and Canticles (the 'Psalter of the Earl of Arundel')

written for him in 1565 by Petruccio Ubaldini (b. 1545, d. 1599), a Florentine calligrapher and writer who worked in Venice and England, from 1565 under Arundel's patronage (other manuscripts written by him are: his Italian version of 1550 of