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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

10 results from this resource . Displaying 1 to 10

full foliate border including medaillons with the lion of Venice, a bishop, and heraldic arms in front of a landscape with a rabbit (f. 1). Commission from Leonardo Loredan, Doge of Venice, appointing Aloysio Zeno ~capitano~ of Ravenna Aloysio Zeno:

preface Written by the same scribe as Burney 102 and 103, possibly in Venice, and originally bound together in the same volume. Maffeo Pinelli (d. 1785) of Venice (inscription '7952', f. iii, an original paper flyleaf, upper left corner, corresponding

preface Written by the same scribe as Burney 102 and 103, possibly in Venice, and originally bound together in the same volume. Maffeo Pinelli (d. 1785) of Venice (inscription '7952', f. iii, an original paper flyleaf, upper left corner, corresponding

preface Written by the same scribe as Burney 102 and 103, possibly in Venice, and originally bound together in the same volume. Maffeo Pinelli (d. 1785) of Venice (inscription '7952', f. iii, an original paper flyleaf, upper left corner, corresponding

1810, purchased by Burney: note (f. 359v).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney’s library from his son Charles Parr Burney in 1818. Detail Athenaeus, Biton Venice Italy, N. E. (Venice)

hand of the mid-12th century contains a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the Emperor Frederick I were reconciled (f. 188). Marginal pencil drawings representing the Virgin

a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the Emperor Frederick I were reconciled (f. 188). Marginal pencil drawings representing the Virgin and Child (f. 75), the Crucifixion

mid-12th century contains a narrative of the schism in the papacy, 1159, and the peace of Venice by which Pope Alexander III and the Emperor Frederick I were reconciled (f. 188). Marginal pencil drawings representing the Virgin and Child (f.

of an apostolic protonotary, his device of a lamb (ff. 1, 17, 59). ? Probably Zaccaria Sagredo (b. 1653, d. Venice, 1729), Venetian collector of paintings, prints and drawings, purchased for 2,000 Venetian lire, and sold to Smith: 18th-century inscription

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 28 March 2024), https://www.manuscriptsonline.org/search/results?kw=venice&sdt=1124