• Decorated initial and full border all antica with heraldic arms in the lower margin., Commission from Andrea Gritti, ~doge~ of Venice, appointing Francesco Morosini governor of Treviso

Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Decorated initial and border Venice Italy, N. (Venice)

• Illuminated initials., Il Canzoniere

d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Illuminated initials Andrea da Badagio Andrea da Badagio Cristoforo Cortese Petrarch (index Francesco Petrarca) Venice Italy, N. E. (Venice)

• Partial knotwork headpiece and decorated initial 'O'(rbis) at the beginning of Pomponius Mela's De chorographia., De chorographia (ff. 1-23), and other works, including an account of a sea voyage (ff. 23v-25v)

an account of a sea voyage (ff. 23v-25v) Maffeo Pinelli (d. 1785) of Venice (his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7931): his London sale, 2 March 1789, lot

• Miniature of the Virgin and Child with Benedictus Longus, the winged lion of Venice beside him, linked to the frame by use of gold; in the lower center of the frame his arms., Commissio qua constituit Benedictum Longum rectorem Caneae insulae Cretae

leaf verso; its book-plate with the pencil inscription: ‘XIII.1.22’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in 1831. Virgin and Child with patron Venice Italy, N. E. (Venice)

• Detail of historiated initial., Il Canzoniere

1738, d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Detail Andrea da Badagio Andrea da Badagio Cristoforo Cortese Petrarch (index Francesco Petrarca) Venice Italy, N. E. (Venice)

• Detail of miniature., Il Canzoniere

1738, d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Detail Andrea da Badagio Andrea da Badagio Cristoforo Cortese Petrarch (index Francesco Petrarca) Venice Italy, N. E. (Venice)

• Detail of historiated initial., Il Canzoniere

1738, d. 1820).Given to the British Museum by King George IV in 1823 as part of the library of King George III. Detail Andrea da Badagio Andrea da Badagio Cristoforo Cortese Petrarch (index Francesco Petrarca) Venice Italy, N. E. (Venice)

• Illustration of chapters 11-13 of Heron's Pneumatics, of two men offering libations at an altar; a diagram of a vessel from which the contents flow when filled to a certain height; and a diagram of 'harmonius goblets', from which the contents flow by a liquid being poured into one only, each illustration very similar to those reproduced from Venice, Marciana MS 516, f. 171r-v in Pneumatics, Hall p. 123., Pneumatica (ff. 27-81v); De automatis (ff. 81v-100)

81v-100) Written by the same scribe as Burney 102 and 103, possibly in Venice, and originally bound together in the same volume. Maffeo Pinelli (d. 1785) of Venice (inscription '7952', f. iii, an original paper flyleaf, upper left corner, corresponding

• Print and miniature of Doge Franciscus Molino., Commission of Doge Franciscus Molino to Giovanni Semitecolo

Farnborough Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Doge Franciscus Molino Venice Italy, N. (Venice)

• Heraldic decoration., Commission of Doge Francisus Erizzo to Antonio Barbadico

the Farnborough Fund (£3,000 bequeathed in 1838 by Charles Long, Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection. Heraldic decoration Venice Italy, North (Venice)

• Miniature of Mark with his lion crowning a female personification of Venice within a border of scroll-work and garlands of fruit and flowers., Leaf of a Doge's Commission (index commissione dogale) from Alvise I Mocenigo to Marco Corner (index Cornaro)

May 1855, lot 2258*/3 (f. 15v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Alvise I Mocenigo to Marco Corner Venice Italy, N. E. (Venice)

• Miniature of Tommaso Giustinian kneeling before Anthony Abbot beneath the inscription "Cha /ri / tas', within a gold scroll-work border with the winged lion of Mark and the arms of the Giustinian family of Venice., Leaf of a Doge's Commission (index commissione dogale) from Marino Grimani to Tommaso Giustinian as capitano of Jadrae (Zara)

sale 31 May 1855, lot 2248 (f. 30v); purchased for £1 9s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Marino Grimani to Tommaso Giustinian Venice Italy, N. E. (Venice)

• Historiated initial 'I'(eronimus) with Jerome and the lion and foliate borders including a lion and an ink drawing of a man and a stag., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Decorated and flourished initials., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Historiated initial with Jerome, the lion, and scholars, with foliate borders including angels, heraldic arms and small scenes with the Nativity, God the father with Christ, and the Resurrection., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Flourished initial 'B'(eatissimo)., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Historiated initial and foliate borders., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Historiated initial., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Historiated initial., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd

• Historiated initial., Epistles and treatises

in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd