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British Library Catalogue of Illuminated Manuscripts
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd
in blue with red pen-flourishing. Capital letters highlighted in yellow. Epistles and treatises Unidentified member of the Cornaro family of Venice: arms of parety per pale, ~or~ and ~azure~, and the monogram 'I C' (f. 15); modern pencil note (3rd
supporting a laurel medallion with arms probably of the Bragadin family of Venice. Scribal marginal variants and occasional additions.Marginal notes by a later reader. Partial border and initial with foliate decoration in colours and gold, with two winged putti supporting
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
date 'May 27th 1783', f. 1).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney's library from his son Charles Parr Burney in 1818. Venetian binding Antonius Vegnatus Venice Italy, N. E. (Venice)
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
(ff. 102-135); Sermones (index Satires) (ff. 135-181v) ? Perhaps owned by a member of the Badoeri or Emo families of Venice: with their arms, ~gules~, a lion rampant ~or~, 3 bends ~argent~ over all (f. 1); cf. King's 28; cf.
the date 'May 27th 1783', f. 1).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney's library from his son Charles Parr Burney in 1818. Detail Antonius Vegnatus Venice Italy, N. E. (Venice)
the date 'May 27th 1783', f. 1).Charles Burney (b. 1757, d. 1817), D.D., classical scholar.Acquired by the British Museum as part of Burney's library from his son Charles Parr Burney in 1818. Detail Antonius Vegnatus Venice Italy, N. E. (Venice)
Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Decorated initial Joannes de Vitalibus Joannes de Vitalibus Venice Italy, N. E. (Venice)
Rusotas's presence in the Veneto region from 1465 onwards (Venice and Vicenza) and the watermarks's origins suggest that the manuscript was produced in Northeastern Italy in the last quarter of the 15th century.Watermarks of scales, similar to Gerhard Piccard, ~Wasserzeichen
edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 4803 (Venice, 1493) and 4804 (Syracuse, 1495; Venice, 1491-92, 1494).Original pagination in red ink.Piece of paper bound after f. [86] inscribed the title of
edition with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 4803 (Venice, 1493) and 4804 (Syracuse, 1495; Venice, 1491-92, 1494).Original pagination in red ink.Piece of paper bound after f. [86] inscribed the title of
1608/10) of Crete, apparently at Venice in 1563 (see Andrés 1969; Gamillscheg and Harlfinger 1981).? Jean Hurault de Boistaillé (d. 1572 or 1582), French ambassador to Venice and Constantinople: possibly copied for him in Venice in 1562-1563 together with other