• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• null, Book of Hours, Use of Rome

4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the British Museum from him together with 1084 other Stowe manuscripts in 1883. Martino da Modena Venice Italy, N. E. (Venice)

• Initial 'T' of the dedication of a church., Cutting from an Antiphoner (index Antiphonal, antiphonary)

and 'landing' case. Purchased as 'The Ascott Album' by the British Library from the Rothschild family on 26 March 1979. Dedication of a church Master of the Murano Gradual Master of San Michele a Murano Venice Italy, N. E. (Venice)

• Illuminated initial 'I'(nterea) with red, green, and blue interlace; a full border of white vine scroll, with putti engaged in various activities, such as playing musical instruments or climbing the vines, and two heads in medallions in the upper corners at the beginning of the prologue of Augustine's City of God; the Donati family of Venice’s arms inside a wreath in the upper border and hanging from the outside border, and in the lower border, surrounded by a wreath with fruit and flowers, different arms of a lion rampant on an azure field and an eagle in the chief, crested with a crowned eagle’s head, possibly those of Capodilista family of Padua., De civitate dei (index City of God)

with the arms of the Donati family of Venice inside a wreath in the upper border and hanging from the outside border, and the arms possibly of the Capodilista family of Venice inside a wreath in the lower border (f.

• Historiated initial 'I'(n), and full border with putti, heraldry, and roundels with a monkey with fruit, and a deer in a landscape., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Foliate illuminated initial 'C'(um) at the beginning of Book 38 of Livy's Ab urbe condita, third decade., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Missing initial, at the beginning of Livy's Ab urbe condita., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Detail of historiated initial., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Detail of lower border, with putti holding a shield., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Detail of border, with a fawn., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Detail of border with a monkey., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Detail of historiated initial., Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the latter preceded (259-265v) by a table of chapters

327, 341, 357v, 375, 392v, 404). Spaces for decoration in the First Decade remain blank. Attributed to Leonardo Bellini (fl. Venice, c. 1443–90), (see Watson 1979 no. 502). Ab urbe condita, first (ff. 109-258) and third (ff. 266-417) decades, the

• Miniature of a bishop, his robe covered in ~fleurs-de-lis~, seated in a mandorla of clouds holding a crown and the Tron family arms above a view of the bacino di San Marco in Venice, and a zoomorphic cartouche inscribed 'Nos Francis / cus Donato Dei / Gratia Dux / Venetiarum et Cetera', within a full border of grotesques, unicorns, and masks in gold monochrome with medallions of Francis of Assisi and Andrew (left) and a personification of Justice and a robed man, who is probably Alvise Tron (right)., Leaf of a Doge's Commission (index commissione dogale) from Francesco Donato to Alvise Tron as provveditore of Insula Vegla (Krk)

lot 2258/1 (f. 7v); lot purchased for £3 3s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Francesco Donato to Alvise Tron Master T.° Ve. Venice Italy, N. E. (Venice)

• Miniature of Francesco Romago kneeling before an archangel who holds a book and points up to a vision of God the Father and the Holy Spirit and in the background a landscape with a view of the fortress of Citadella, within a full border with four grotesque figures and a quatrefoil inscribed 'XXXIII / Domine / Mitte / Angelum / De Caelo Qui Me / Custodit / et / Foveat'., Leaf of a Doge's Commission (index commissione dogale) from Francesco Venier to Francesco Romago as podestà of Citadella

diplomatist: his sale 31 May 1855, lot 2258/3 (f. 10v); lot purchased for £3 30s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Presentation Master T.° Ve. Venice Italy, N. E. (Venice)

• Miniature of a Venetian nobleman before the Virgin and Child with a landscape in the background within a border of interlocking frame of scollling foliage and flowres and medallions with vases of flowers, butterflies, rabbits and birds, and arms [defaced] suspended from a ribbon before a hilly landscape and the inscription 'Laus Deo MD / LXX di eta di / an[n]i ZZ'., Leaf of a Doge's Commission (index commissione dogale)

May 1855, lot 2258*/2 (f. 9v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Leaf from a Doge's Commission Master T.° Ve. Venice Italy, N. E. (Venice)

• Miniature of a seated of Mark with his lion and a woman holding grapes before a landscape, within a border of scroll-work., Leaf of a Doge's Commission (index commissione dogale) from Alvise I Mocenigo to a Venetian nobleman as capitano

31 May 1855, lot 2257/1 (f. 17v); lot purchased for £3 3s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Alivse I Mocenigo Giorgio Colonna Venice Italy, N. E. (Venice)

• Miniature of a Venetian nobleman being presented by Mark and Jerome to a vision of the Crucifixion within an ornate frame with an erased coat of arms., Leaf of a Doge's Commission (index commissione dogale) from ?Sebastiano Venier to Marco Antonio Venier as provveditore of Liesena (Hvar)

d. 1845), diplomatist: his sale 31 May 1855, lot 2258*/4 (f. 18v); lot purchased for £2 8s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Doge's Commission Venice Italy, N. E. (Venice)