• Detail of a miniature of doves, including one on a nest in a bird house., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

in a bird house. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by

• Detail of a miniature of mice and worms., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London: The

• Detail of a miniature of an ill man in bed with a caladrius bird watching him., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

caladrius bird watching him. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by

• Miniature of an ill man in bed with a caladrius bird watching him., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

bird watching him. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas

• Beginning of the table of contents with decorated and coloured initials., De universo seu De rerum naturis

abstulerit aut titulu[m] deleu[er]it anathema sit. Am[en]', 13th century (f. 6).Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. 1).The Old Royal

• Inhabited initial 'P'(rimum) with human figures and animals, at the beginning of Book 1., De universo seu De rerum naturis

abstulerit aut titulu[m] deleu[er]it anathema sit. Am[en]', 13th century (f. 6).Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. 1).The Old Royal

• Detail of an inhabited initial 'P'(rimum) with human figures and animals, at the beginning of Book 1., De universo seu De rerum naturis

abstulerit aut titulu[m] deleu[er]it anathema sit. Am[en]', 13th century (f. 6).Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. 1).The Old Royal

• Detail of an inhabited initial 'P'(rimum) with human figures and animals, at the beginning of Book 1., De universo seu De rerum naturis

abstulerit aut titulu[m] deleu[er]it anathema sit. Am[en]', 13th century (f. 6).Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. 1).The Old Royal

• Text page with a drawing of a hand pointing to text from the margin., De universo seu De rerum naturis

abstulerit aut titulu[m] deleu[er]it anathema sit. Am[en]', 13th century (f. 6).Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. 1).The Old Royal

• Decorated and coloured initials 'N'(atura) and 'H'(omo)., De universo seu De rerum naturis

abstulerit aut titulu[m] deleu[er]it anathema sit. Am[en]', 13th century (f. 6).Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. 1).The Old Royal

• Text page in the table of contents., De universo seu De rerum naturis

abstulerit aut titulu[m] deleu[er]it anathema sit. Am[en]', 13th century (f. 6).Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (see Carley 2000, p. xxxiii), 16th century (f. 1).The Old Royal

• Plain red initial 'E'(cclesiastica) at the beginning of the first theological tract, with the ownership inscription of the Augustinian Priory of Merton, Surrey, in the upper margin, and the monogram of Thomas Wolsey in the lower margin., Various theological tracts, beginning, 'Ecclesiastica corectio que fit per excomunionem', Sentences analogous to the work of Peter Lombard, various brief texts on religious topics (De excomunicatione etc.), Isidore of Seville's exposition on Genesis and Exodus, extracts from Jerome's Epistolas taken from the Florilegium Angelicum, Sic et Non, imperfect at the beginning and the end, Dialogus inter philosophum, Iudaeum et Christianum, imperfect at the beginning and the end, excerpts attributed to Bernard of Clairvaux

and dissolved in 1538: inscribed, 'L[i]b[er] s[anc]te Mar[ie] Merton' (f. 1).Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop of York, and cardinal: 'TC' monogram, perhaps for Thomas Cardinalis (f. 1) (see Carley 2000, p. xxxiii).The Old Royal Library (the

• Detail of a miniature of a centaur holding a snake., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

snake. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London:

• Detail of a miniature of goats on their hind legs., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

legs. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London:

• Detail of a miniature of a wolf approaching a sheepfold., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

sheepfold. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London:

• Miniature of mice and worms., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London: The Roxburgh

• Decorated initial 'A'(sia), at the beginning of the entry for Asia., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

for Asia. A direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker

• Miniature of pelicans., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London: The Roxburgh Club,

• Detail of a miniature of pelicans., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London: The Roxburgh

• Miniature of a nycticorax (a bird)., Bestiary, and various theological texts, e.g., Isidore of Seville, Imago Mundi

direct copy of the Worksop Bestiary, New York, Pierpont Morgan Library M. 81 (see ~Two East Anglian Picture Books : A Facsimile of the Helmingham Herbal and Bestiary and Bodleian Ms. Ashmole 1504~, ed. by Nicholas Barker (London: The Roxburgh