• Mary Mediatrix

Halliwell, 2:212-13. Editions of BL Harley 2382, fol. 86b; Thomas Warton, History of English Poetry, 4 vols. (1774-81; rpt. New York: Johnson Reprint Corp., 1968), 3.153; Patterson, no. 60. Edition of BL Addit. 39574, fol. 58a: Mabel Day, The Wheatley

• Mary Mediatrix

Halliwell, 2:212-13. Editions of BL Harley 2382, fol. 86b; Thomas Warton, History of English Poetry, 4 vols. (1774-81; rpt. New York: Johnson Reprint Corp., 1968), 3.153; Patterson, no. 60. Edition of BL Addit. 39574, fol. 58a: Mabel Day, The Wheatley

• Mary Mediatrix

Halliwell, 2:212-13. Editions of BL Harley 2382, fol. 86b; Thomas Warton, History of English Poetry, 4 vols. (1774-81; rpt. New York: Johnson Reprint Corp., 1968), 3.153; Patterson, no. 60. Edition of BL Addit. 39574, fol. 58a: Mabel Day, The Wheatley

• The Northern Homily Cycle: Homily #, Title

affecting visible display of shared conviction and creed,” the procession was further staged, quite literally, in the enactments of the York and N-Town plays of Mary’s Purification (Gibson, “Blessing from Sun,” p. 141). 54 Moyses law. Leviticus 12:6–8: And when

• The N-Town Plays: Play 14, Trial of Mary and Joseph

79–82; Fitz­henry, "Politics of Metatheater," pp. 33–36; and Carlson, "Mary's Obedi­ence," pp. 348–53. Elsewhere, Carlson states: "N-town goes farther than York, Ches­ter, or Wakefield [Towneley] because the resolving of Joseph's trouble about Mary in N-town does not settle the matter

• Everyman and Its Dutch Original, Elckerlijc: Introduction

against depicting God on stage as blasphemous.58 When the play, under a new director, Ben Greet, was moved to New York for the 1902–03 season, the furor was louder in spite of moving God off stage, but this production, which

• Mary Mediatrix

Halliwell, 2:212-13. Editions of BL Harley 2382, fol. 86b; Thomas Warton, History of English Poetry, 4 vols. (1774-81; rpt. New York: Johnson Reprint Corp., 1968), 3.153; Patterson, no. 60. Edition of BL Addit. 39574, fol. 58a: Mabel Day, The Wheatley

• Mary Mediatrix

Halliwell, 2:212-13. Editions of BL Harley 2382, fol. 86b; Thomas Warton, History of English Poetry, 4 vols. (1774-81; rpt. New York: Johnson Reprint Corp., 1968), 3.153; Patterson, no. 60. Edition of BL Addit. 39574, fol. 58a: Mabel Day, The Wheatley

• Mary Mediatrix

Halliwell, 2:212-13. Editions of BL Harley 2382, fol. 86b; Thomas Warton, History of English Poetry, 4 vols. (1774-81; rpt. New York: Johnson Reprint Corp., 1968), 3.153; Patterson, no. 60. Edition of BL Addit. 39574, fol. 58a: Mabel Day, The Wheatley

• Mary Mediatrix

Halliwell, 2:212-13. Editions of BL Harley 2382, fol. 86b; Thomas Warton, History of English Poetry, 4 vols. (1774-81; rpt. New York: Johnson Reprint Corp., 1968), 3.153; Patterson, no. 60. Edition of BL Addit. 39574, fol. 58a: Mabel Day, The Wheatley

• LA BELLE DAME SANS MERCY: Introduction

English Literature, vol. 2, The End of the Middle Ages, ed. A. W. Ward, A. R. Waller, et al. (New York: Macmillan, 1933), pp. 238-39. 29 See Derek Pearsall's introduction to The Floure and the Leafe, where he points out

• Mary Mediatrix

Halliwell, 2:212-13. Editions of BL Harley 2382, fol. 86b; Thomas Warton, History of English Poetry, 4 vols. (1774-81; rpt. New York: Johnson Reprint Corp., 1968), 3.153; Patterson, no. 60. Edition of BL Addit. 39574, fol. 58a: Mabel Day, The Wheatley

• Mary Mediatrix

Halliwell, 2:212-13. Editions of BL Harley 2382, fol. 86b; Thomas Warton, History of English Poetry, 4 vols. (1774-81; rpt. New York: Johnson Reprint Corp., 1968), 3.153; Patterson, no. 60. Edition of BL Addit. 39574, fol. 58a: Mabel Day, The Wheatley

• Charles d'Orleans, Fortunes Stabilnes: Introduction

classics. 13 For this completely unsupported notion see, among others, Robert Louis Stevenson, Familiar Studies of Men and Books (New York: Charles Scribner's Sons, 1896, and reprinted frequently), pp. 229-74; Champion, 1911; and Enid McLeod, Charles of Orleans, Prince and

• The Wright's Chaste Wife

extent of the tradition belonging to drinking horns and mantles. See the New Arthurian Encyclopedia, ed. Norris J. Lacy (New York: Garland, 1996), pp. 81-83. Nuptial garlands minus the chastity test, however, were an ancient custom carried on in England

• Pety Job

to be "in open-ways and in walled enclosures." Crawford suggests a reference to "medieval wall-walks, such as those surviving in York today" (p. 257). 277-80 The syntactic conjoining of three images (the third one not found in the Vulgate) is

• Capgrave, The Life of Saint Katherine: Book 5

of Felix Fabri, 2 vols. (1887-97; rpt., New York: AMS Press, 1971). Felix's devotion to Katherine's relics is the point of departure for Sheri Holman's provocative novel, A Stolen Tongue (New York: Atlantic Monthly Press, 1997). For another fifteenth-century pilgrim's

• The Shewings of Julian of Norwich

the whole matter of physiological spirits, see also Walter Clyde Curry, Chaucer and the Mediaeval Sciences, 2nd rev. ed (New York: Barnes S1 thowe. 645 askyd. P; S1 asky. 651 thingke P; S1 thynyn. 652 for it may not be

• Poems in Celebration of Mary

wynter. Gray: "A traditional estimate. In Paradiso xxvi Adam tells Dante that he spent 4,302 years in Limbo; in the York play of the Harrowing of Hell (lines 39-40) he says that he has been there for 4,600 years. According

• Poems in Celebration of Mary

wynter. Gray: "A traditional estimate. In Paradiso xxvi Adam tells Dante that he spent 4,302 years in Limbo; in the York play of the Harrowing of Hell (lines 39-40) he says that he has been there for 4,600 years. According